1007 – The Beatles – The long and winding road (1970)

Escrita por Paul McCartney mas creditada à dupla Lennon/McCartney, foi gravada em 26 de janeiro de 1969 e em 1 de abril de 1970 e lançada em 8 de maio de 1970 no disco Let it be e saiu também como compacto em 11 de maio de 1970, com For you blue como Lado B. Foi o vigésimo e último número 1 dos Beatles nos Estados Unidos.

A gravação do dia 1 de abril foi adicionada arranjos de cordas por Phil Spector. Isso irritou Paul profundamente e foi um dos 6 motivos que ele alegou na Suprema Corte por estar deixando os Beatles.

Foi escrita na Peninsula de Kintyre, onde Paul tem uma fazenda. Ele disse que se inspirou na beleza da calma da Escócia para fazer a canção. Paul gravou a demo durante as gravações do Album Branco. Ofereceu-a a Tom Jones, que recusou-a. Paul disse que a escreveu no estilo Ray Charles.

Paul cantou e tocou piano. John tocou baixo de 6 cordas. George Harrison tocou guitarra e Ringo tocou bateria. Billy Preston tocou orgao Fender Rhodes.

A letra:

The long and winding road
That leads to your door
Will never disappear
I've seen that road before
It always leads me here
Lead me to you door

The wild and windy night
That the rain washed away
Has left a pool of tears
Crying for the day
Why leave me standing here?
Let me know the way

Many times I've been alone
And many times I've cried
Anyway you'll never know
The many ways I've tried

And still they lead me back
To the long winding road
You left me standing here
A long long time ago
Don't leave me waiting here
Lead me to your door

But still they lead me back
To the long winding road
You left me standing here
A long long time ago
Don't keep me waiting here
Lead me to your door

Yeah, yeah, yeah, yeah

A versão dos Beatles:

A versão de George Michael:

A versão de Paul McCartney:

1006 – Crosby, Stills, Nash and Young – Ohio (1970)

Escrita por Neil Young, Foi gravada em 21 de maio de 1970 e lançada em junho de 1970 em um compacto que tinha Find the cost of freedom como Lado B.

Trata-se de uma resposta ao tiroteio na Kent State, Ohio, em 4 de maio de 1970, onde 4 estudantes foram mortos. Chegou ao número 14 nos charts pop americanos e número 16 no Canadá,

É o número 395 das 500 maiores canções de todos os tempos da revista Rolling Stone. Ganhou um Grammy em 2009.

David Crosby cantou e tocou guitarra ritmica. Stephen Stills cantou e tocou guitarra. Graham Nash cantou e tocou orgao. Neil Young cantou e tocou guitarra. Calvin Samuels tocou baixo e John Barata tocou bateria.

A letra:

Tin soldiers and Nixon coming
We're finally on our own
This summer I hear the drumming
Four dead in Ohio

Gotta get down to it
Soldiers are cutting us down
Should have been done long ago
What if you knew her
And found her dead on the ground
How can you run when you know?

Gotta get down to it
Soldiers are cutting us down
Should have been done long ago
What if you knew her
And found her dead on the ground
How can you run when you know?

Tin soldiers and Nixon coming
We're finally on our own
This summer I hear the drumming
Four dead in Ohio

A versão de Crosby, Stills, Nash and Young:

A versão de Neil Young acustica:

A versão de Graham Nash:

1005 – The Guess Who – Share the land (1970)

Escrita por Burton Cummings, foi gravada em 1970 em Chicago, Illinois e lançada em setembro de 1970 no compacto que tinha Bus rider como Lado B.

Chegou ao número 2 no Canadá e número 10 nos charts pop americanos. Chegou também ao número 63 na Australia.

Burton Cummings cantou e tocou teclados, Kurt Winter tocou guitarra solo e fez backing vocals, Greg Leskiw tocou guitarra ritmica e fez backing vocals, Jim Kale tocou baixo e Garry Peterson tocou bateria.

A letra:

Have you been around
Have you done your share of comin' down
On different things that people do
Have you been aware
You got brothers and sisters who care
About what's gonna happen to you in a year from now

Maybe I'll be there to shake your hand
Maybe I'll be there to share the land
That they'll be givin' away
When we all live together
I'm talkin' 'bout together now

Maybe I'll be there to shake your hand
Maybe I'll be there to share the land
That they'll be givin' away
When we all live together
I'm talkin' 'bout together now

Did you pay your dues
Did you read the news
This mornin' when the paper landed in your yard
Do you know their names
Can you play their games
Without losin' track and comin' down a bit too hard
Oh

Maybe I'll be there to shake your hand
Maybe I'll be there to share the land
That they'll be givin' away
When we all live together
I'm talkin' 'bout together now

Maybe I'll be there to shake your hand
Maybe I'll be there to share the land
That they'll be givin' away
When we all live together
I'm talkin' 'bout together now

Maybe I'll be there to shake your hand
Maybe I'll be there to share the land
That they'll be givin' away
When we all live together
I'm talkin' 'bout together now

Maybe I'll be there to shake your hand
Maybe I'll be there to share the land
That they'll be givin' away
When we all live together
Together, together

you know I'll be standin' by
(Share the land) to help you if you're worried
(Shake your hand) no more sadness, no more sorrow
(Share the land) and no more bad times
(Shake your hand) every day comin' sunshine
(Share the land) every day everybody laughin'
(Shake your hand) walkin' together by the river
(Share the land) walkin' together and laughin'
(Shake your hand) everybody singin' together
(Share the land) everybody singin' and laughin'
(Shake your hand) good times, good times
(Share the land) everybody walkin' by the river now
(Shake your hand) walkin', singin', talkin'
(Share the land) smilin', laughin', diggin' each other

everybody happy together
(Share the land) I'll be there, don't worry, if you're needin' me
(Shake your hand) call on me, call on me
(Share the land) call my name, I'll be runnin' to help you
(Shake your hand) everybody walkin' by the river now
(Share the land) everybody, everybody laughin'
(Shake your hand) everybody singin' and talkin'

A versão do Guess Who:

A versão de Brothers Landreth:

A versão de Sean Rook:

1004 – Neil Young – After the gold rush (1970)

Escrita por Neil Young, foi gravada em 12 de março de 1970 e lançada em 31 de agosto de 1970 no disco de mesmo nome.

Composta de três versos, sendo o primeiro uma celebraçao medieval, o segundo deitado num basement fudido e por fim, fala dos escolhidos voando numa nave espacial, tema bem recorrente nos anos 70. Além da voz de Neil, tivemos um piano e uma corneta francesa na gravação.

Foi regravada por Patti Smith, Dolly Parton com Linda Ronstadt e Emmylou Harris, K.D. Land, entre outros artistas.

A letra:

Well, I dreamed I saw the knights in armor coming,
Saying something about a queen.
There were peasants singing and drummers drumming,
And the archer split the tree.

There was a fanfare blowing to the sun
That was floating on the breeze.

Look at Mother Nature on the run
In the nineteen seventies.
Look at Mother Nature on the run
In the nineteen seventies.

I was lying in a burned out basement
With the full moon in my eyes.
I was hoping for replacement
When the sun burst through the sky.

There was a band playing in my head,
And I felt like getting high.

I was thinking about what a friend had said.
I was hoping it was a lie.
Thinking about what a friend had said.
I was hoping it was a lie.

Well, I dreamed I saw the silver space ships flying
In the yellow haze of the sun.
There were children crying and colors flying
All around the chosen ones.

All in a dream, all in a dream
The loading had begun.

Flying Mother Nature's silver seed to a new home in the sun.
Flying Mother Nature's silver seed to a new home.

A versão de Neil Young:

A versão de Patti Smith:

A versão de Dolly Parton, Emmilou Harrie e Linda Ronstadt:

1003 – Simon and Garfunkel – Bridge over troubled water (1970)

Escrita por Paul Simon, foi gravada em 9 de novembro de 1969 e lançada em 20 de janeiro de 1970 em um compacto que tinha Keep the customer satisfied como Lado B. Foi a última cançõ gravada pro quinto disco da dupla, que também foi o último.

Larry Knetchtel tocou o piano, Joe Osborn tocou baixo e Hal Blaine tocou bateria. Ganhou 5 Grammies em 1971. Foi o maior hit da dupla. Chegou ao número 1 nos charts pop americanos, número também no Reino Unido, Canadá, França e Nova Zelandia. Foi tambem top 5 em oito paises e vendeu mais de 6 milhões de cópias no mundo inteiro.

Teve mais de 50 regravações e é a canção de número 48 da lista das 500 maiores canções de todos os tempos.

Foi regravada por Aretha Franklin, Elvis Presley, Willie Nelson, Johnny Cash, The Jackson 5, The Supremes, Roberta Flack, Andrea Bocelli, entre outros tantos artistas.

A letra:

When you're weary, feeling small
When tears are in your eyes, I'll dry them all (all)
I'm on your side, oh, when times get rough
And friends just can't be found
Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down

When you're down and out
When you're on the street
When evening falls so hard
I will comfort you (ooo)
I'll take your part, oh, when darkness comes
And pain is all around
Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down

Sail on silver girl
Sail on by
Your time has come to shine
All your dreams are on their way
See how they shine
Oh, if you need a friend
I'm sailing right behind
Like a bridge over troubled water
I will ease your mind
Like a bridge over troubled water
I will ease your mind

A versão de Simon and Garfunkel:

A versão de Elvis Presley:

A versão de Johnny Cash:

1002 – Creedence Clearwater Revival – Have you ever seen the rain? (1970)

Escrita por John Fogerty, foi gravada em 1970 e lançada no disco da banda do mesmo ano chamado Pendulum. Chegou ao número 1 no Canadá, número 8 nos charts pop americanos e número 36 no Reino Unido.

A música fala da crescente tensão entre os membros da banda e a eminente saída do seu irmão, Tom Fogerty.

Foi regravada pelos Spin Doctors, Bonnie Tyler, Joan Jett, Johnny Cash, Willie Nelson, R.E.M., Rod Stewart, Ramones, The Ventures, Inner Circle, entre outros.

A letra:

Someone told me long ago
There's a calm before the storm
I know it's been comin' for some time
When it's over so they say
It'll rain a sunny day
I know shinin' down like water

I want to know
Have you ever seen the rain?
I want to know
Have you ever seen the rain
Comin' down on a sunny day?

Yesterday and days before
Sun is cold and rain is hard
I know been that way for all my time
'Til forever, on it goes
Through the circle, fast and slow,
I know it can't stop, I wonder

I want to know
Have you ever seen the rain?
I want to know
Have you ever seen the rain
Comin' down on a sunny day?

Yeah

I want to know
Have you ever seen the rain?
I want to know
Have you ever seen the rain
Comin' down on a sunny day?

A versão do Creedence Clearwater Revival:

A versão de Rod Stewart:

A versão de Willie Nelson e Paula Nelson:

1001 – The Beatles – Let it be (1970)

Escrita por Paul McCartney mas creditada à dupla Lennon/McCartmey, foi gravada em 31 de janeiro de 1969 e lançada em 6 de março de 1970.

Paul disse que a idéia sobre Let it be surgiu depois de sonhar com a mãe, durante um período tenso de gravações com os Beatles. O nome da mãe dele era Mary e morreu de cancer quando Paul tinha 14 anos.

É a canção número 20 das 500 maiores canções de todos os tempos da revista Rolling Stone. Paul cantou, fez backing vocals, tocou piano, maracas, piano elétrico e baixo. John fez backing vocals. George Harrison tocou guitarra solo e fez backing vocals. Ringo tocou bateria. Linda McCartney fez backing vocals e Billy Preston tocou orgao Hammond.

Chegou ao número 1 nos Estados Unidos e número 2 no Reino Unido. Com Let it be, os Beatles completaram 7 anos consecutivos chegando ao número 1 nos Estados Unidos, um record só comparado naquela época com Elvis Presley. Como compositores, Lennon e McCartney chegaram ao numero 1 por 7 anos consecutivos, um record de todos os tempos.

Foi regravada por Aretha Franklin, Ike and Tina Turner, Joan Baez, John Denver, Nick Cave, entre outros artistas.

A letra:

When I find myself in times of trouble, Mother Mary comes to me
Speaking words of wisdom, let it be
And in my hour of darkness she is standing right in front of me
Speaking words of wisdom, let it be

Let it be, let it be, let it be, let it be
Whisper words of wisdom, let it be

And when the broken-hearted people living in the world agree
There will be an answer, let it be
For though they may be parted, there is still a chance that they will see
There will be an answer, let it be

Let it be, let it be, let it be, let it be
Yeah, there will be an answer, let it be
Let it be, let it be, let it be, let it be
Whisper words of wisdom, let it be

Let it be, let it be, let it be, yeah, let it be
Whisper words of wisdom, let it be

And when the night is cloudy there is still a light that shines on me
Shine until tomorrow, let it be
I wake up to the sound of music, Mother Mary comes to me
Speaking words of wisdom, let it be

Let it be, let it be, let it be, yeah, let it be
There will be an answer, let it be
Let it be, let it be, let it be, yeah, let it be
There will be an answer, let it be
Let it be, let it be, let it be, yeah, let it be
Whisper words of wisdom, let it be

A versão dos Beatles:

A versão de Aretha Franklin:

A versão de Joan Baez:

1000 – Leonard Cohen – You know who I am (1969)

Escrita por Leonard Cohen, foi gravada em outubro de 1968 e lançada em 7 de abril de 1969 no disco Songs from a room. Foi regravada por Mama Cass em 1968 no disco Dream a little dream.

A letra:

I cannot follow you, my love,
You cannot follow me.
I am the distance you put between
All of the moments that we will be.

You know who I am,
You've stared at the sun,
Well I am the one who loves
Changing from nothing to one.

Sometimes I need you naked,
Sometimes I need you wild,
I need you to carry my children in
And I need you to kill a child.
You know who I am

If you should ever track me down
I will surrender there
And I will leave with you one broken man
Whom I will teach you to repair.
You know who I am

I cannot follow you, my love,
You cannot follow me.
I am the distance you put between
All of the moments that we will be.
You know who I am

A versão de Leonard Cohen:

A versão de Mama Cass:

A versão de Esther Ofarim:

999 – The Allman Brothers Band – Dreams (1969)

Escrita por Greg Allman, foi gravada em agosto de 1969 e lançada no primeiro disco da banda em 4 de novembro de 1969.

A letra:

Just one more mornin'
I had to wake up with the blues
Pulled myself outta bed, yeah
Put on my walkin' shoes,
Went up on the mountain,
To see what I could see,
The whole world was fallin',
right down in front of me.

[Chorus:]
'Cause I'm hung up on dreams I'll never see, yeah Baby.
Ahh help me baby, or this will surely be the end of me, yeah.

Pull myself together, put on a new face,
Climb down off the hilltop, baby,
Get back in the race.

[Chorus]

Pull myself together, put on a new face,
Climb down off the hilltop, baby,
Get back in the race.

[Chorus]

A versão dos Allman Brothers:

A versão de Gov't Mule:

A versão dos New Frantics:

0097 – The Butcher - Leonard Cohen (1969)

Escrita por Leonard Cohen, foi gravada em outubro de 1968 e lançada em 7 de abril de 1969 no disco Songs from a room, o segundo da carreira de Leonard Cohen.

I came upon a butcher
He was slaughtering a lamb
I accused him there
With his tortured lamb

He said, "Listen to me, child"
"I am what I am"
"And you, you are my only son"

Well, I found a silver needle
I put it into my arm
It did some good
Did some harm

But the nights were cold
And it almost kept me warm
How come the night is long?

I saw some flowers growing up
Where that lamb fell down
Was I supposed to praise my Lord
Make some kind of joyful sound?

He said, "Listen, listen to me now"
"I go 'round and 'round"
"And you, you are my only child"

Do not leave me now
Do not leave me now
I'm broken down
From a recent fall

Blood upon my body
And ice upon my soul
Lead on, my son, it is your world

A versão de Leonard Cohen:

A versão de Ken Middleton:

A versão de Santo Rock:

997 – David Bowie – Wild eyed boy from freecloud (1969)

Escrita por David Bowie, foi gravada em junho de 1969 e lançada em 11 de julho de 1969 em um compacto que tinha Space Oddity como Lado A.

A letra:

Solemn faced
The village settles down
Undetected by the stars
And the hangman plays the mandolin before he goes to sleep
And the last thing on his mind
Is the Wild Eyed Boy imprisoned
'Neath the covered wooden shaft
Folds the rope
Into its bag
Blows his pipe of smolders
Blankets smoke into the room
And the day will end for some
As the night begins for one

Staring through the message in his eyes
Lies a solitary son
From the mountain called Freecloud
Where the eagle dare not fly
And the patience in his sigh
Gives no indication
For the townsmen to decide
So the village Dreadful yawns
Pronouncing gross diversion
As the label for the dog
Oh "It's the madness in his eyes"
As he breaks the night to cry:

"It's really me
Really you
And really me
It's so hard for us to really be
Really you
And really me
You'll lose me though I'm always
Really free"

And the mountain moved its eyes
To the world of realize
Where the snow had saved a place
For the wild eyed boy
From Freecloud

And the village Dreadful cried
As the rope began to rise
For the smile stayed on the face
Of the wild eyed boy
From Freecloud
And the women once proud
Clutched the heart of the crowd
As the boulders smashed down from the mountain's hand

And the magic in the stare
Of the wild eyed boy said
"Stop, Freecloud
They won't think to cut me down"
But the cottages fell
Like a playing card hell
And the tears on the face
Of the wise boy
Came tumbling down
To the rumbling ground
And the missionary mystic of peace/love
Stumbled to cry among the clouds
Kicking back the pebbles
From the Freecloud mountain

A versão de David Bowie:

A versão do Orogeny:

A versão de Adam Crawford:

996 – The Marmalade – Reflections of my life (1969)

Escrita por Junior Campbell e Dean Ford, foi gravada em Londres em outubro de 1969 e lançada em 14 de novembro de 1969 no compacto que tinha Rollin' my thing como Lado B.

Chegou ao número 3 no Reino Unido, número 10 nos charts pop americanos e recebeu disco de ouro por vendas acima de 1 milhão de cópias no mundo. Tiveram mais de um milhão de execuções nos rádios dos Estados Unidos.

Graham Knight tocou baixo, Alan Whitehead bateria, Pat Fairlay no violão, e Junior Campbell na guitarra solo e base e teclados. Dean Ford cantou e Junior Campbell e Graham Knight fizeram os backing vocals.

Chegou tambem ao número 6 no Canadá, número 9 na Bélgica e na Holanda, número 2 na Irlanda, número 8 na Noruega e número 5 na Africa do Sul.

A letra:

The changing of sunlight to moonlight
Reflections of my life
Oh, how they fill my eyes

The greetings of people in trouble
Reflections of my life
Oh, how they fill my eyes

Oh, my sorrows
Sad tomorrows
Take me back to my own home

Oh, my crying (Oh, my crying)
Feel I'm dying, dying
Take me back to my own home

I'm changing, arranging
I'm changing
I'm changing everything
Everything around me

The world is
A bad place
A bad place
A terrible place to live
Oh, but I don't want to die

Oh, my sorrows
Sad tomorrows
Take me back to my own home

Oh, my crying (Oh, my crying)
Feel I'm dying, dying
Take me back to my own home

Oh, my sorrows
Sad tomorrows
Take me back to my own home

A versão do Marmalade:

A versão da banda Sixties:

A versão de Dean Ford sozinho:

995 – Leonard Cohen – The old revolution (1969)

Escrita por Leonard Cohen, foi gravada em outubro de 1968 e lançada em 7 de abril de 1969 no disco Songs from a room.

A letra:

I finally broke into the prison,
I found my place in the chain.
Even damnation is poisoned with rainbows,
All the brave young men
They're waiting now to see a signal
Which some killer will be lighting for pay.
Into this furnace I ask you now to venture,
You whom I cannot betray.

I fought in the old revolution
On the side of the ghost and the King.
Of course I was very young
And I thought that we were winning;
I can't pretend I still feel very much like singing
As they carry the bodies away.
Into this furnace I ask you now to venture

Lately you've started to stutter
As though you had nothing to say.
To all of my architects let me be traitor.
Now let me say I myself gave the order
To sleep and to search and to destroy.
Into this furnace I ask you now to venture

Yes, you who are broken by power,
You who are absent all day,
You who are kings for the sake of your children's story,
The hand of your beggar is burdened down with money,
The hand of your lover is clay.
Into this furnace I ask you now to venture

A versão de Leonard Cohen:

A versão de Matthew Vasquez:

A versão de Madeline Tasquin:

994 – Jefferson Airplane – Good Shepherd (1969)

Trata-se de uma canção tradicional que a banda Jefferson Airplane gravou no seu disco de 1969 chamado Volunteers. Foi arranjada e cantada por Jorma Kaukonen, que tocava guitarra solo na banda.

Mas a canção surgiu no começo do século 19, com um pastor metodista negro chamado Joohn Adam Granade, que fazia música, passou pelo ggospel blues na década de 1930, passou pela década de 1950 como uma canção folk e foi gravada pelos Jefferson Airplane na sua versão psicodélica e foi a versão que ficou mais conhecida.

A letra:

If you want to get to heaven
Over on the other shore
Stay out of the way of the blood-stained bandit
Oh good shepherd
Feed my sheep
One for Paul
One for Silas
One for to make my heart rejoice
Can't you hear my lambs acallin
Oh good shepherd
Feed my sheep
If you want to get to heaven
Over on the other shore
Stay out of the way of the long-tongue liar
Oh good shepherd
Feed my sheep
If you want to get to heaven
Over on the other shore
Stay out of the way of the gun shot devil
Oh good shepherd
Feed my sheep

A versão do Jefferson Airplane:

A versão de Hot Tuna:

A versão de Jefferson Starship:

993 – Leonard Cohen – Seems so long ago, Nancy (1969)

Escrita por Leonard Cohen, foi gravada em outubro de 1968 e lançada em 7 de abril de 1969 no disco Songs from a room. Nancy foi uma mulher que cresceu com Cohen em Montreal.

A letra:

It seems so long ago,
Nancy was alone,
Looking ate the Late Late show
Through a semi-precious stone.
In the House of Honesty
Her father was on trial,
In the House of Mystery
There was no one at all,
There was no one at all.

It seems so long ago,
None of us were strong
Nancy wore green stockings
And she slept with everyone.

She never said she'd wait for us
Although she was alone,
I think she fell in love for us
In nineteen sixty one,
In nineteen sixty one.

It seems so long ago,
Nancy was alone,
A forty five beside her head,
An open telephone.

We told her she was beautiful,
We told her she was free
But none of us would meet her in
The House of Mystery,
The House of Mystery.

And now you look around you,
See her everywhere,
Many use her body,
Many comb her hair.

In the hollow of the night
When you are cold and numb
You hear her talking freely then,
She's happy that you've come,
She's happy that you've come.

A versão de Leonard Cohen:

A versão de Bradford Cox:

A versão de Perla Batalla: