Escrita
por Bono Vox, The Edge, Larry Mullen Jr. e Adam Clayton, foi gravada
entre julho e setembro de 1980 e lançada no disco Boy, o disco de
estreia da banda, em 20 de outubro de 1980. Foi produzida por Steve
Lillywhite. Eles escreveram essa canção no estúdio, durante as
gravações. Fala sobre ambição juvenil. Menciona o livro de Oscar
Wilde O retrato de Dorian Gray. Bono cantou e tocou glockenspiel. The
Edge tocou guitarra, fez backing vocals e tocou glockenspiel. Adam
Clayton tocou baixo e Larry Mullen Jr. tocou bateria.
A
letra:
A
picture in grey Dorian Gray Just me by the sea
And I felt like a star I felt the
world could go far If they listened To what I said, the sea
Washes my feet Washes the
feet Splashes the soul of my shoes
Escrita
por Bruce Springsteen, foi gravada em agosto de 1979, no Power
Station Studios, em New York City e lançada no disco de mesmo nome,
The River, o quinto de Bruce, em 17 de outubro de 1980. Sairia também
em compacto fora dos Estados Unidos, em abril de 1981, com
Independence day como Lado B. Foi produzida por Bruce Springsteen,
Jon Landau e Steven Van Zandt. Chegou ao número 24 na Irlanda,
número 25 na Holanda e foi Top 10 na Suécia e Noruega. Fala da
história da sua irmã e seu cunhado. A imagem do refrão foi
inspirada em Long gone lonesome blues, de Hank Williams. Bruce
cantou, tocou gaita e tocou guitarra. Roy Bittan tocou piano.
Clarence Clemons tocou pandeiro. Danny Federici tocou orgão. Garry
Tallent tocou baixo. Steven Van Zandt tocou guitarra e fez harmonias
vocais. Max Weinberg tocou bateria.
A
letra:
I
come from down in the valley Where, mister, when you're young They
bring you up to do like your daddy done Me and Mary we met in high
school When she was just seventeen We drive out of this
valley Down to where the fields were green We'd go down to the
river And into the river we'd dive Oh, down to the river we'd
ride
Then I got Mary pregnant And man,
that was all she wrote And for my nineteenth birthday I got a
union card and a wedding coat We went down to the courthouse And
the judge put it all to rest No wedding day smiles, no walk down
the aisle No flowers, no wedding dress
That night we went down to the
river And into the river we'd dive Oh, down to the river we did
ride Yeah, yeah
I got a job working construction For
the Johnstown Company But lately there ain't been much work On
account of the economy Now all them things that seemed so
important Well mister they vanished right into the air Now I
just act like I don't remember Mary acts like she don't care
But I remember us riding in my
brother's car Her body tan and wet, down at the reservoir At
night on them banks I'd lie awake And pull her close just to feel
each breath she'd take Now those memories come back to haunt
me They haunt me like a curse Is a dream a lie if it don't come
true Or is it something worse That sends me down to the
river Though I know the river is dry That sends me down to the
river tonight Down to the river My baby and I Oh, down to
the river we ride-ide
Escrita
por Neil Young, foi gravada em 21 de janeiro de 1975, no Village
Recorders, em Los Angeles e lançada no disco Hawks and Doves, em 29
de outubro de 1980. É o décimo primeiro disco de Neil. Foi
produzida por Neil Young, Elliot Mazer e Tim Mulligan. Neil cantou,
tocou violão e gaita. Ele está sozinho na gravação.
A
letra:
All
her friends call her Little Wing But she flies rings around them
all She comes to town when the children sing And leaves them
feathers if they fall She leaves her feathers if they fall
Little Wing, don't fly away When the
summer turns to fall Don't you know some people say The winter
is the best time of them all Winter is the best of all
Escrita
por John Lennon, foi gravada em 1980 e lançada no disco Double
Fantasy, o quinto e último disco de John em vida. Sairia também em
compacto, em 13 de março de 1981, com Yes I'm your angel como Lado
B.Foi produzida por John Lenno Yoko Ono e Jack Douglas. Fala sobre os
cinco anos em que ele ficou em casa pra criar seu flho Sean. Tem uma
harpa daquelas que tinha as cordas e as notas, em formato de
trapézio, chamada Hammered Dulcimer. Pegaram um cara que tocava na
rua chamado Matthew Cunninhgham pra tocar esse instrumento. John
tocou piano e cantou. Earl Slick e Hugh McCracken tocaram as
guitarras. Tony Levin tocou baixo. George Small tocou Fender Rhodes.
Eric Troyer tocou sintetizador. Andy Newmark tocou bateria. Matthew
Cunningham tocou hammer dulcimer. Atrhur Jenkins tocou percussão.
Michelle Simpson, Cassandra Wooten, Cheryl Mason Jacks e Eric Troyer
fizeram backing vocals. Chegou ao número 10 no Billboard Hot100,
número 30 no Reino Unido, número 3 no Canadá, número 6 na Suíça,
número 12 na Áustria, número 20 na Irlanda, número 45 na
Austrália e número 46 na Alemanha.
A
letra:
People
say I'm crazy Doin' what I'm doin' Well, they give me all kinds
of warnings To save me from ruin
When I say that I'm okay Well, they
look at me kinda strange Surely you're not happy now You no
longer play the game
People say I'm lazy Dreamin' my life
away Well, they give me all kinds of advice Designed to
enlighten me
When I tell them that I'm doin'
fine Watchin' shadows on the wall Don't you miss the big time,
boy? You're no longer on the ball
I'm just sittin' here watchin' the
wheels go round and round I really love to watch them roll No
longer ridin' on the merry-go-round I just had to let it go
People askin' questions Lost in
confusion Well, I tell them there's no problem Only solutions
Well, they shake their heads And
they look at me as if I've lost my mind I tell them there's no
hurry I'm just sittin' here doin' time
I'm just sittin' here watchin' the
wheels go round and round I really love to watch them roll No
longer ridin' on the merry-go-rounds I just had to let it go I
just had to let it go I just had to let it go
Escrita
por Mark Knopfler, foi gravada entre junho e agosto de 1980 e lançada
no disco Making movies, o terceiro da banda. .Foi produzida por Jimmy
Iovine e Mark Knopfler. Mark Knopfler tocou guitarra e cantou. John
Illsley tocou baixo e fez backing vocals. Pick Withers tocou bateria
e fez backing vocals. Roy Bittan tocou teclado.
A
letra:
The
sky is crying, the streets are full of tears Rain come down, wash
away my fears And all this writing on the wall Oh, I can read
between the lines
Rain come down, forgive this dirty
town Rain come down, and give this dirty town A drink of water,
a drink of wine
If I been hard on you, I never chose to
be I never wanted no one else I tried my best to be somebody
you'd be close to Hand in hand like lovers are supposed to
As you'd sleep, I'd think my heart
would break in two I'd kiss your cheek, I'd stop myself from
waking you But in the dark you'd speak my name You'd say, "Baby
what's wrong?"
Oh, here I am baby, I'm coming back for
more I'm like a wave that's got to roll into the shore Yes, and
if my love's in vain, how come my love is so strong?
If I been hard on you, I never chose to
be I never wanted no one else And I tried my best to be
somebody you'd be close to Hand in hand like lovers are supposed
to Supposed to be
Now you and me go parallel together and
apart And you keep your perfect distance and it's tearing at my
heart Did you never feel the distance You never tried to cross
no line
'Cause it's another dirty river and
another dirty scar And I don't know who's kissing you and I don't
know where you are So far from home, don't you think of me some
time
If I been hard on you, I never chose to
be I never wanted no one else I tried my best to be somebody
you'd be close to Hand in hand like lovers are supposed to
Well, sky is crying, see the streets
are full of tears Rain come down, wash away my fears And all
this writing on the wall Oh, I can read between the lines
Escrita
por John Lennon, foi gravada entre agosto e setembro de 1980 e
lançada em 17 de novembro de 1980, no disco Double Fantasy, o quinto
e último disco de Lennon em vida. Foi produzida por John Lennon,
Yoko Ono e Jack Douglas. Fala em renascimento e de Lennon falando dos
seus anos de ausencia da indústria, em que ele se tornou dono de
casa e Yoko tomou conta dos negócios da família. Foi escrita nas
Bermudas, em junho de 1980. O título surgiu após uma conversa com
Jack Douglas no telefone, onde eles falavam que as pessoas estavam se
limpando de drogas e álcool. E falaram it's cleanup time. E ficou.
John cantou e tocou guitarra. Earl Slick e Hugh McCracken tocaram
guitarra solo. Tony Levin tocou baixo. George Small tocou teclado.
Anday Newmark tocou bateria. Arthur Jenkins tocou percussão. Howard
Johnson, Grant Hunderfod, JD Parran, Seldon Powell, George Opalisky,
Roger Rosenberg, David Tofani e Ronald Tooley fizeram os sopros.
A
letra:
Moonlight
on the water, Sun light on my face, You and me together, We
are in our place, The gods are in the heavens, The angels treat
us well, The oracle has spoken, We cast the (perfect)
spell,
Now it begins - let it begin, Cleanup Time, (Show
those mothers how to do it),
The queen is in the counting
home, Counting out the money, The king is in the
kitchen, Making bread and honey, No friends and yet no
enemies, Absolutely free, No rats aboard the magic ship, Of
(perfect) harmony,
Now it begins, Cleanup Time, (Show
those mothers how to do it),
However, far we travel, Wherever
we may roam, The centre of the circle, Will always be our
home,
The gods are in the heavens, The angels treat us
well, The oracle has spoken, We cast the (perfect) spell.
Escrita
por Bono Vox, The Edge, Larry Mullen Jr. e Adam Clayton, foi gravada
entre julho e setembro de 1980 e lançada em 20 de outubro de 1980,
no disco Boy, o primeiro da banda. Foi produzida por Steve
Lillywhite. Fala sobre os tempos infantis e maturidade e perda da
inocencia.
A
letra:
Into
the heart of a child I stay awhile But I can go there
Into the heart of a child I can
smile I can go there
Into the heart Into the heart of a
child I can go back I can stay awhile (Into the heart)
Escrita
por Bruce Springsteen, foi gravada entre março de 1979 e agosto de
1980, no Power Station Studio, em New York City. Foi lançada no
disco The River, o quinto disco de Bruce, em 17 de outubro de 1980.
Foi produzida por Bruce Springsteen, Steven Van Zandt e Jon Landau.
Trata-se de uma canção mais devagar, guiada pelo romantismo
obscuro, com piano, orgão e sax. O narrador perdeu seu amor
verdadeiro. Ele descreve a dor que sente enquanto dirige pela noite
lembrando dela e pedindo pra ela voltar pra ele. Bruc cantou, tocou
guitarra de 6 e 12 cordas, gaita e piano. Roy Bittan tocou piano e
orgao e fez backing vocals. Clarence Clemons tocou sax, percussão e
fez backing vocals. Danny Federici tocou orgao. Garry Tallent tocou
baixo. Steve Van Zandt tocou violão, guitarra, backing vocals e
harmonias vocais. Max Weinberg tocou bateria.
A
letra:
When
I lost you honey Sometimes I think I lost my guts too And I
wish God would send me a word Send me something I'm afraid to lose
Lying in the heat of the night Like
prisoners all our lives And I get shivers down my spine girl And
all I wanna do is hold you tight
Baby, baby, baby I swear I'd drive
all night again just to buy you some shoes And to taste your
tender charms And I just wanna sleep tonight again in your arms Oh
yeah, oh yeah
Tonight there's fallen angels And
they're waiting for us down in the street And tonight there's
calling strangers Hear them crying in defeat Let them go, let
them go, let them go Do their dances of the dead Let 'em go
right ahead girl You just dry your eyes And c'mon, c'mon,
c'mon, c'mon, let's go to bed
Baby, baby, baby I swear I'd drive
all night again just to buy you some shoes And to taste your
tender charms And I just wanna sleep tonight again in your arms Oh
yeah, oh yeah
There's machines and there's fire Baby
waiting on the edge of town They're out there for hire But baby
they can't hurt us now Cause you've got You've got, you've got
my My love girl You've got my love girl
Through the wind, through the rain The
snow, the wind, the rain You've got, you've got my my love Oh
girl you've got my love You've got, you've got my love Oh girl
you've got my love You've got, you've got my love Oh girl
you've got my love You've got, you've got my love Oh girl
you've got my love
Heart and soul Heart and soul Heart
and soul Heart
Don't worry darlin', tonight And
don't cry now Baby, don't cry now Oh don't cry now Oh don't
cry now Just dry your eyes, little baby Hey, dry your
eyes Baby, I'd drive all night I swear I'd drive all night
Through the wind, through the
rain Through the snow, through the rain Through the wind,
through the snow, through the rain I swear I'd drive all night I
swear I'll drive all night Through the wind, through the
rain Through the snow, through the rain Through the wind,
through the rain
Escrita
por Bob Seger, foi gravada em 1979 no Criteria Studios em Miami, e
lançada em 25 de fevereiro de 1980 no disco Against the wind, o
décimo primeiro disco de Bob. Sairia também em compacto em julho de
1980, com Betty Lou's gettin' out tonight como Lado B. Foi produzida
por Punch Andrews e Bob Seger. Chegou ao número 14 no Billboard
Hot100 e número 8 no Canadá. Bob Seger cantou e tocou violão. Chis
Campbell tocou baixo. David Teegarden tocou bateria. Sam Clayton
tocou percussão. Bill Payne tocou orgão, piano e sintetizador.
Ginger Blake, Laura Creamer e Linda Dillard fizeram backing vocals.
A
letra:
A
gypsy wind is blowin' warm tonight The sky is starlit and the time
is right And still you're tellin' me you have to go Before you
leave, there's something you should know Yeah, somethin' you
should know babe
I've seen you smiling in the summer
sun I've seen your long hair flyin' when you run I've rnade my
mind up that it's meant to be Someday lady, you'll accomp'ny me
Someday lady, you'll accomp'ny me Out
where the rivers meet the sound and sea You're high above me now,
you're wild and free, ah but Someday lady, you'll accomp'ny
me Someday lady, you'll accomp'ny me, yeah
Some people say that love's a losin'
game You start with fire, but you lose the flame The ashes
smolder, but the warmth's soon gone You end up cold, and lonely on
your own
I'll take my chances, babe I'll risk it
all I'll win your love or I'll take the fall I've made my mind
up girl, it's meant to be Someday lady, you'll accomp'ny me
Someday lady, you'll accomp'ny me It's
written down somewhere, it's got to be You're high above me flyin'
wild and free Oh but someday lady, you'll accomp'ny me Someday
lady, you'll accomp'ny me
Someday lady, you'll accomp'ny me Out
where the rivers meet the sound and sea I feel it in my soul, it's
meant to be Oh someday lady, you'll accomp'ny me Someday lady,
you'll accomp'ny me
You will accomp'ny me (Ooh-who)
yeah (Ooh-who, you'll accomp'ny me) I know you will accomp'ny
me now, ah (Ooh-who, you'll accomp'ny me) Someday lady
(Ooh-who) Ah, someday lady (Ooh-who you'll accomp'ny me) Your
gonna accomp'ny me now Your gonna walk with me an' talk with me,
yeah (Ooh-who, ooh-who you'll accomp'ny me, ooh-who) Yeah
(Ooh-who), oh Gonna accomp'ny me (Ooh-who) Gonna accomp'ny me,
yeah (You'll accomp'ny me) Someday (Ooh-who)
Escrita
por John Lennon, foi gravada em 9 de agosto de 1980 no Hit Factory e
lançada em 23 de outubro de 1980 no compacto que tinha Kiss kiss
kiss como Lado B. Sairia também no quinto e último disco de John em
vida, o Double Fantasy. Foi produzida por John Lennon, Yoko Ono e
Jack Douglas. Chegou ao número 1 no Billboard Hot100, número 1 no
Reino Unido, número 1 também na Austrália, na Áustria, no Canadá,
na Irlanda e na Suíça. Chegou ao número 2 na Nova Zelandia e
Noruega. Chegou ao número 3 na Suécia. Número 4 na Alemanha e na
África do Sul. Número 6 na Bélgica e número na Itália e Holanda.
Número 16 na Finlandia. Foi o primeiro compacto do Double Fantasy.
Assim foi o primeiro release de John de algum trabalho desde que
abandonou a música em 1975. John disse que era uma mistura de Elvis
com Roy Orbison. John imitou os vocais deles na gravação. No começo
John diz: “essa é pra Gene, e Eddie e Elvis... e Buddy”, em
referencia à Gene Vincent, Eddie Cochran, Elvis Presley e Buddy
Holly. O sino tocando no começo da música é uma referencia à
Mother, dele, que também tinha esse sino. A canção tem
similaridades com Don't worry baby, dos Beach Boys. É o maior hit de
John nos Estados Unidos. John cantou e tocou guitarra base. Earl
Slick e Hugh McCracken tocaram guitarra solo. Tony Levon tocou baixo.
George Small tocou teclado. Andy Newmark tocou bateria. Arthur
Jenkins tocou percussão. Michelle Simpson, Cassandra Wooten, Cheryl
Mason Jakc e Eric Troyer fizeram backing vocals.
A
letra:
Our
life together is so precious together We have grown, we have
grown Although our love is still special Let's take a chance
and fly away somewhere alone
It's been too long since we took the
time No one's to blame, I know time flies so quickly But when I
see you, darling It's like we both are falling in love again It'll
be just like starting over (over) Starting over (over)
Every day, we used to make it love Why
can't we be making love nice and easy? It's time to spread our
wings and fly Don't let another day go by, my love It'll be
just like starting over (over) Starting over (over)
Why don't we take off alone? Take a
trip somewhere far, far away We'll be together all alone
again Like we used to in the early days Well, well, darling
It's been too long since we took the
time No one's to blame, I know time flies so quickly But when I
see you, darling It's like we both are falling in love again It'll
be just like starting over (over) Starting over (over)
Our life together is so precious
together We have grown, mm, we have grown Oh, although our love
still is special Let's take a chance and fly away somewhere
Starting over (over) Ooh (over and
over and over) Ah! (Over), ah! (Over) Ah! (Over), ah!
(Over) Ah, ah, ah, ah, ah, ah!
Escrita
por Mark Knopfler, foi gravada em junho de 1980 e lançada em 17 de
outubro de 1980 no disco Making movies, o terceiro disco da banda.
Foi produzida por Mark Knopfler e Jimmy Iovine.
A
letra:
She
gets the sun in the daytime Perfume in the dusk And she comes
out in the night time With the honeysuckle musk Because she
smells just like a rose And she tastes just like a peach She
got me walking where the wildlife goes I'd do anything to reach
her
And she was made in heaven Heaven's
in the world Is this just expresso love You know I'm crazy for
the girl
She call me just to talk She's my
lover, she's a friend of mine She says hey mister you wanna take a
walk In the wild west end sometime And I get trouble with my
breathing She says boys don't know anything But I know what I
want I want everything
Well I feel so good 'cause I feel so
good And I feel so good 'cause it feels so right I was made to
go with my girl Like a saxophone was made to go with the night
And she can raise one eyebrow Put
her hand on my hip And I close one eye now Sweat on her tip And
I surrender to the fever She love me so tender I got to believe
her Love? expresso love's alright
I don't want no sugar in it Thank
you very much All wired up on it all fired up on it Expresso
touch Hey maestro expresso It's just another one just like the
other one Hey maestro expresso Is this another one just like
the other one
Escrita
por Bob Daisley, Ozzy Osbourne e Randy Rhoads, foi gravada em 22 de
março de 1980, no Ridge Farm Studio, em Rusper, West Essex e lançada
em 29 de agosto de 1980 no compacto que tinha You lookin' at me
lookin' at you como Lado B. Sairia também no disco de estréia de
Ozzy, chamado Blizzard of Ozzy, em 12 de setembro de 1980. Foi
produzida por Lee Kerslake, Bob Daisley e Randy Rhoads. A letra fala
da guerra fria e do medo da aniquilação total da humanidade que
existia durante aquele período. Guitar world colocou-a como tendo o
nono melhor solo de guitarra de todos os tempos. Também a VH1
colocou-a como a nona melhor canção de heavy metal de todos os
tempos. Chegou ao número 49 no Reino Unido. Ozzy Osbourne cantou.
Randy Rhoads tocou guitarra. Bob Daisley tocou baixo e Lee Kerslake
tocou bateria e vibraslap.
A
letra:
All
aboard! Ha ha ha ha ha ha haaaa! Ay, ay, ay, ay, ay, ay, ay...
Crazy, but that's how it goes Millions
of people living as foes Maybe it's not too late To learn how
to love and forget how to hate
Mental wounds not healing Life's a
bitter shame
I'm going off the rails on a crazy
train I'm going off the rails on a crazy train
Let's go!
I've listened to preachers, I've
listened to fools I've watched all the dropouts who make their own
rules One person conditioned to rule and control The media
sells it and you live the role
Mental wounds still screaming Driving
me insane
I'm going off the rails on a crazy
train I'm going off the rails on a crazy train
I know that things are going wrong for
me You gotta listen to my words, yeah, yeah!
Heirs of a Cold War, that's what we've
become Inheriting troubles, I'm mentally numb Crazy, I just
cannot bear I'm living with something that just isn't fair
Mental wounds not healing Who and
what's to blame?
I'm going off the rails on a crazy
train I'm going off the rails on a crazy train
Escrita
por Bono Vox, The Edge, Larry Mullen Jr. e Adam Clayton, foi gravada
entre julho e setembro de 1980, no Windmill Lane Studios e lançada
no disco Boy, o de estréia da banda, em 20 de outubro de 1980. Foi
produzida por Steve Lillywhite. An cat dubh significa um gato preto
em irlandês. A canção fala de um relacionamento que Bono teve
durante o período em que havia brigado com sua namorada, Ali Hewson.
Fala sobre sexo. E as imagens são um gato preto e um pássaro. O
gato mata o pássaro e brinca com ele antes de dormir ao seu lado.
A
letra:
Say
goodnight She waits for me to Put out the light Lay there
still She waits to break my will
Yes, if I know the truth about you
And in the daylight A blackbird
makes a violent sight And when she is done She sleeps beside
the wild
Escrita
por Bruce Springsteen, foi gravada em 9 a 11 de abril de 1979, no
Power Station Studio, em New York City. Foi lançada no disco The
River, o quinto de Bruce, em 17 de outubro de 1980. Foi produzida por
Bruce Springsteen, Jon Landau e Steven Van Zandt. Na verdade é a
música que abre o disco. Foi a segunda música a ser gravada pro
disco. Fala para uma mulher que está sofrendo por amor pra não
abandonar o amor e sim pra aceitar os laços de um relacionamento. As
influencias dela foram When you walk in the room e Who'll stop the
rain. Bruce cantou e tocou guitarra. Clarence Clemons tocou sax.
Garry Tallent tocou baixo. Steven Van Zandt tocou guitarra. Max
Weinberg tocou bateria.
A
letra:
You've
been hurt and you're all cried out, you say You walk down the
street pushin' people out of your way You've packed your bags and
all alone you wanna ride You don't want nothin', don't need no one
by your side
You're walkin' tough baby, but you're
walkin' blind To the ties that bind The ties that bind Now
you can't break the ties that bind
A cheap romance, you say it's all just,
just a crutch You don't want nothin' that anybody can touch You're
so afraid of being somebody's fool Not walkin' tough baby, not
walkin' cool
You walk cool, but darlin', can you
walk the line? And face the ties that bind The ties that
bind Now you can't break the ties that bind
Oh I'd, I'd rather feel the hurt
inside, yes I would darling Than know, than know the emptiness
your heart must hide Yes I would darling, yes I would darling Yes
I would baby
You sit and wonder just who's gonna
stop the rain Who'll ease the sadness, who's gonna quiet your
pain? It's a long dark highway and a thin white line Connecting
baby, your heart to mine
We're runnin' now but darlin' we will
stand in time To face the ties that bind The ties that bind Now
you can't break the ties that bind
Escrita
por Bob Seger, foi gravada em 1979 e lançada em 25 de fevereiro de
1980, no disco Against the wind, o décimo primeiro de Seger. Foi
produzida por Bob Seger, Punch Andrews, Bill Szymczyk e Muscle Shoals
Rhythm Section. Bob Seger tocou guitarra, cantou e fez backing
vocals. Barry Beckett tocou piano. Pete Carr tocou guitarra. Roger
Hawkins tocou bateria e percussão. David Hood tocou baixo. Jimmy
Johnson tocou guitarra. Randy McCormick tocou orgão. Ginger Blake,
Laura Creamer e Linda Dillard fizeram backing vocals.
A
letra:
She's
no good at being phony She never tells a good lie She knows
just when to let me be She always knows when I'm too high She's
never out in front of me Or way too far Too far behind She's
always right beside me Right in the good place all the time, yeah
She's so good for me So good for
me She's so good for me Good for me, yeah
Oh, and when I call her at midnight Oh,
the lady she knows just what to say She says the words I long to
hear Oh yeah, 'cause that's her way She knows just what to
say To make me want to stay 'cause that's her way
She's good for me Mm, so good for
me She's sure enough good for me, yeah So good, so good, so
good
She's so good for me, ooh yeah She's
so good for me Oh, my lady She's so good for me Good for me
