1421 – Bob Dylan – On a night like this (1974)

 

Escrita por Bob Dylan, foi gravada em 8 de novembro de 1973, no Village Recorder Studio, em Los Angeles, California e lançada em 17 de janeiro de 1974 no disco Planet Waves. Depois sairia em compacto, com You angel you como Lado B, em março de 1974. Foi a música que abriu o disco Planet Waves. Bob cantou, tocou guitarra e gaita. Robbie Robertson tocou guitarra. Richard Manuel tocou teclado. Garth Hudson tocou sanfona. Rick Danko tocou baixo. Levon Helm tocou bateria. Foi regravada pelos Los Lobos e Jimmy Fallon, entre outros artistas.

A letra:

On a night like this
So glad you came around
Hold on to me so tight
And heat up some coffee grounds
We got much to talk about
And much to reminisce
It sure is right
On a night like this

On a night like this
So glad you're here to stay
Hold on to me, pretty miss
Say you'll never go away to stray
Run your fingers down my spine
Bring me a touch of bliss
It sure feels right
On a night like this

On a night like this
I can't get any sleep
The air is so cold outside
And the snow's so deep
Build a fire, throw on logs
And listen to it hiss
And let it burn, burn, burn, burn
On a night like this

Put your body next to mine
And keep me company
There is plenty a room for all
So please don't elbow me

Let the four winds blow
Around this old cabin door
If I'm not too far off I think we did this once before
There's more frost on the window glass
With each new tender kiss
But it sure feels right
On a night like this

A versão de Bob Dylan:

A versão dos Los Lobos:

A versão de Love Minus Zero:

1420 – Neil Young – Motion pictures (1974)

Escrita por Neil Young, foi gravada entre fevereiro e abril de 1974 e lançada no disco On the beach, em 19 de julho de 1974. Motion pictures é uma espécie de elegia ao relacionamento de Neil com a atriz Carrie Snodgress. Neil cantou e tocou guitarra. Ben Kith tocou baixo. Rusty Kershaw tocou slide guitar. Ralph Molina tocou bateria

A letra:

Motion pictures on my TV screen
A home away from home, living in between
But I hear some people have got their dream

I've got mine

I hear the mountains are doing fine
Morning glory is on the vine
And the dew is falling, the ducks are calling

Yes, I've got mine

And all those people, they think they got it made
But I wouldn't buy, sell, borrow or trade
Anything I have to be like one of them
I'd rather start all over again

Well, all those headlines, they just bore me now
I'm deep inside myself, but I'll get out somehow
And I'll stand before you, and I'll bring a smile to your eyes
Motion pictures, motion pictures

A versão de Neil Young:

A versão de Ezra Furman:

A versão de Mercury Rev:

1419 – John Lennon – Steel and glass (1974)

Escrita por John Lennon, foi gravada em julho e agosto de 1974 e lançada em 26 de setembro de 1974 no disco Walls and Bridges. Fala sobre o antigo business manager de John, Allen Klein. Tem violinos e sopros e o estilo do refrão parece com How do you sleep?, que havia sido um ataque à Paul McCartney. John cantou e tocou violão. Nicky Hopkins tocou piano. Jesse Ed Davis tocou guitarra. Eddie Mottau tocou violão. Ken Ascher tocou clavinet. Klaus Voorman tocou baixo. Arthur Jenkins tocou percussão. Jim Keltner tocou bateria. Boby Keys, Steve Madaio, Howard Johnson, Ron Aprea e Frank Vacari tocaram os sopros.

A letra:

(This is a story about your friend and mine
Who is it, who is it, who is it?)

There you stand with your L.A. tan
And your New York walk and your New York talk
You're mother left you when you were small
But you're gonna wish you wasn't born at all

Steel and glass, steel and glass
Steel and glass, steel and glass

Your phone don't ring, no one answers your call
How does it feel to be off the wall

Well your mouthpiece squawks as he spreads your lies
But you can't pull strings if your hands are tied

Well your teeth are clean but your mind is capped
You leave your smell like an alley cat

Steel and glass, steel and glass
Steel and glass, steel and glass

A versão de John Lennon:

A versão de Aloe Blacc:

A versão de Automatic Shoes:

 

1418 – Leonard Cohen – I tried to leave you (1974)

Escrita por Leonard Cohen, foi gravada em fevereiro de 1974 e lançada no disco New skin for the old ceremony, em 11 de agosto de 1974. Leonard Cohen tocou violão e cantou. John Lissauer tccou teclado e fez backing vocals. Emily Bindiger fez backing vocals. Gerald Chamberlein tocou trombone. Erin Dickins fez backing vocals. Lewis Furey tocou viola. Ralph Gibson tocou violão. Armen Halburian tocou percussão. Janis Ian cantou. Gail Kantor fez backing vocals. Jeff Layton tocou banjo, bandolim, violão e trompete. Barry Lazarowitz tocou percussão. Roy Markowitz tocou bateria. John Miller tocou baixo.

A letra:

I tried to leave you, I don't deny
I closed the book on us, at least a hundred times.
I'd wake up every morning by your side.

The years go by, you lose your pride.
The baby's crying, so you do not go outside,
And all your work it's right before your eyes.

Goodnight, my darling, I hope you're satisfied,
The bed is kind of narrow, but my arms are open wide.
And here's a man still working for your smile.

A versão de Leonard Cohen:

A versão de Lera Lynn:

A versão de Maria Elvira:

1417 – Neil Young – On the beach (1974)

 

Escrita por Neil Young, foi gravada entre fevereiro e abril de 1974 e lançada no disco de mesmo nome, em 19 de julho de 1974. On the beach abriu o Lado B. Uma meditação em forma de blues do lado ruim da fama. Foi regravada pelo Radiohead, entre outros artistas. Neil Young canta e tocou guitarra. Ben Keith tocou bateria de mão. Graham Nash tocou piano elétrico Wurlitzer. Tim Drummond tocou baixo. Ralph Molina tocou bateria.

A letra:

World is turnin'
I hope it don't turn away
The world is turnin'
I hope it don't turn away

All my pictures are fallin'
From the wall where I placed them yesterday
World is turnin'
I hope it don't turn away

I need a crowd of people, but I can't face them day to day
I need a crowd of people, but I can't face them day to day
Though my problems are meaningless, that don't make them go away
I need a crowd of people, but I can't face them day to day

I went to the radio interview, but I ended up alone at the microphone
I went to the radio interview, but I ended up alone at the microphone
Now I'm livin' out here on the beach, but those seagulls are still out of reach
Went to the radio interview, but I ended up alone at the microphone

Get out of town, think I'll get out of town
Get out of town, think I'll get out of town
I head for the sticks with my bus and friends
I follow the road, though I don't know where it ends
Get out of town, get out of town, think I'll get out of town

'Cause the world is turnin'
And I don't want to see it turn away

A versão de Neil Young:

A versão do Radiohead:

A versão do Golden Smog:

1416 – Bob Marley and The Wailers – Revolution (1974)

 

Escrita por Bob Marley, foi gravada em 1974 e lançada no disco Natty Dread em 25 de outubro de 1974. É uma canção vai fundo no comentário político controverso. Bob Marley cantou e tocou guitarra. Aston Barrett tocou baixo. Carlton Barrett tocou bateria e percussão. Bernard Harvey tocou orgao e piano. Al Anderson tocou guitarra solo. Lee Jaffe tocou gaita. Rita Marley, Judy Mowatt e Marcia Griffiths fizeram backing vocal.

A letra:

Revelation, reveals the truth, Revelation

(Revolution, revoution, revolution, revolution)

It takes a revolution (revolution) to make a solution
Too much confusion, so much frustration, yeah
I don't wanna live in the park (live in the park)
Can't trust no shadows after dark, yeah (shadows after the dark)
So my friend I wish that you could see
Like a bird in the tree, the prisoners must be free, yeah

Never make a politician, grant you a favour
They will always want to control you forever (forever, forever)
So if a fire make it burn,
And if a blood make it run, yeah

Rasta there up on top, can't you see,
So you can't predict the flop, yeah
We got lightning (lightning), thunder (thunder), brimstone (brimstone) and fire, fire (fire, fire)
Lightning (lightning), thunder (thunder), brimstone (brimstone) and fire

Oh yeah, fire, oh yeah

Kill, cramp and paralyse all weak at conception

Wipe them out of creation (creation), yeah (creation)
Oh! Let i'es is i'es (i'es), in i'es is black (i'es),
In i'es is red (i'es), in i'es is dread, yeah

Let rightousness cover the earth
Like the water cover the sea, yeah, yeah
Lightning (lightning), thunder (thunder), brimstone and fire
Lightning, thunder...

A versão de Bob Marley and The Wailers:

A versão de The Late Ones:

A versão de Calma Carmona:

1415 – Bob Dylan – Going, going, gone (1974)

 

Escrita por Bob Dylan, foi gravada em 5 de novembro de 1973 e lançada em 17 de janeiro de 1974 no disco Planet Waves. É fantástico o duelo entre o vocal desesperado de Bob e a guitarra de Robbie Robertson. Por vezes parece que Robbie toca uma nota e sufoca a guitarra com a mão. A guitarra de Robbie parece arranhar a garganta de Bob. Bob Dylan cantou e tocou violão. Rick Danko tocou baixo. Levon Helm tocou bateria. Garth Hudson tocou orgão elétrico. Richard Manuel tocou piano e Robbie Robertson tocou a guitarra elétrica. Foi regravada por Jerry Garcia, Gregg Allman e Doyle Bramhall II, entre outros artistas.

A letra:

I’ve just reached a place
Where the willow don’t bend
There’s not much more to be said
It’s the top of the end
I’m going, I’m going, I’m gone

I’m closin’ the book
On the pages and the text
And I don’t really care
What happens next
I’m just going, I’m going, I’m gone

I been hangin’ on threads
I been playin’ it straight
Now, I’ve just got to cut loose
Before it gets late
So I’m going, I’m going, I’m gone

Grandma said, “Boy, go and follow your heart
And you’ll be fine at the end of the line
All that’s gold doesn't shine
Don’t you and your one true love ever part”

I been walkin’ the road
I been livin’ on the edge
Now, I’ve just got to go
Before I get to the ledge
So I’m going, I’m just going, I’m gone

A versão de Bob Dylan:

A versão de Doyle Bramhall II com a Tedeshi Truck Band:

A versão de Gregg Allman:

1414 – Neil Young – Revolution Blues (1974)

 

Escrita por Neil Young, foi gravada entre fevereiro e abril de 1974, no Sunset Sound Studios, em Hollywood, California e foi lançada em 19 de julho de 1974 no disco On the beach. Foi produzida pelo próprio Neil Young em conjunto com David Briggs. Revolution blues foi inspirada em Charles Manson, que Neil havia encontrado enquanto morava no Topanga Canyon. Charles Manson foi um assassino que matou a esposa do diretor Roman Polanski, quando ela estava grávida. Neil cantou e tocou guitarra. Ben Keith tocou Steel guitar. David Crosby tocou guitarra ritmica. Rick Danko tocou baixo. Levon Helm tocou bateria.

A letra:

Well, we live in a trailer at the edge of town
You never see us 'cause we don't come around
We got twenty five rifles just to keep the population down

But we need you now, and that's why I'm hangin' around
So you be good to me and I'll be good to you
And in this land of conditions I'm not above suspicion

I won't attack you, but I won't back you

Well, it's so good to be here, asleep on your lawn
Remember your guard dog? Well, I'm afraid that he's gone
It was such a drag to hear him whining all night long

Yes, that was me with the doves, setting them free near the factory
Where you built your computer, love
I hope you get the connection, 'cause I can't take the rejection
I won't deceive you, I just don't believe you

Well, I'm a barrel of laughs, with my carbine on
I keep them hoppin', till my ammunition's gone
But I'm still not happy, I feel like there's something wrong

I got the revolution blues, I see bloody fountains
And ten million dune buggies comin' down the mountains
Well, I hear that Laurel Canyon is full of famous stars
But I hate them worse than lepers and I'll kill them in their cars

A versão de Neil Young:

A versão de Bony King:

A versão de LeNoise:

1413 – John Lennon – #9 Dream (1974)

 

Escrita por John Lennon, foi gravada entre julho e agosto de 1974 e lançada em 26 de setembro de 1974 no disco Walls and Bridges e depois saiu também em compacto em 16 de dezembro de 1974, com What you got como Lado B. Chegou ao número 9 no Billboard Hot100 e número 23 nos charts britânicos. Chegou também ao número 35 no Canadá. John disse que a escreveu baseado em um sonho. Não houve significado, apenas saiu. O refrão diz “Ah, Bowakawa poussé poussé” e Al Coury da Capitol Records se recusou a dizer pussy pussy no refrão. Então Lori Burton, esposa do engenheiro de som Roy Cicala, sugeriu poussé ao vez de pussy, dando um ar de língua estrangeira. May Pang, namorada de John na época, fez backing vocals. John cantou e tocou violão. John, May Pang, Lori Burton e Joey Dembra fizeram nacking vocals. Ken Asher tocou clavinet. Jesse Ed Davis tocou guitarra. Nicky Hopkins tocou piano elétrico. Arthur Jenkins tocou percussão. Jim Keltner tocou bateria. Bobby Keys tocou sax. Eddie Mottau tocou violão e Klaus Voorman tocou baixo. Foi regravada pelo R.E.M., A-ha e Andrea Corr, entre outros artistas.

A letra:

So long ago
Was it in a dream, was it just a dream?

I know, yes I know
Seemed so very real, it seemed so real to me

Took a walk down the street
Through the heat whispered trees

I thought I could hear (hear, hear, hear)
Somebody call out my name (John) as it started to rain (John)

Two spirits dancing so strange

Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé

Dream, dream away
Magic in the air, was magic in the air?

I believe, yes I believe
More I cannot say, what more can I say?

On a river of sound
Through the mirror go around, around

I thought I could feel (feel, feel, feel)
Music touching my soul, something warm, sudden cold
The spirit dance was unfolding

Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé

Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé
Ah! böwakawa poussé, poussé

A versão de John Lennon:

A versão do A-ha:

A versão do R.E.M.:

1412 – Leonard Cohen – Who by fire (1974)

 

Escrita por Leonard Cohen, foi gravada em fevereiro de 1974 e lançada no disco New Skin for the Old Ceremony, em 11 de agosto de 1974. A canção fala das raízes judaícas de Leonard Cohen, ecoando as palavras da oração Unetanneh Tokef. Foi cantada em dueto com Janis Ian, que também era judia. Leonard Cohen tocou violão e cantou. John Lissauer tccou teclado e fez backing vocals. Emily Bindiger fez backing vocals. Gerald Chamberlein tocou trombone. Erin Dickins fez backing vocals. Lewis Furey tocou viola. Ralph Gibson tocou violão. Armen Halburian tocou percussão. Janis Ian cantou. Gail Kantor fez backing vocals. Jeff Layton tocou banjo, bandolim, violão e trompete. Barry Lazarowitz tocou percussão. Roy Markowitz tocou bateria. John Miller tocou baixo.

A letra:

And who by fire, who by water
Who in the sunshine, who in the night time
Who by high ordeal, who by common trial

Who in your merry merry month of may
Who by very slow decay
And who shall I say is calling?

And who in her lonely slip, who by barbiturate
Who in these realms of love, who by something blunt
Who by avalanche, who by powder

Who for his greed, who for his hunger
And who shall I say is calling?

And who by brave assent, who by accident
Who in solitude, who in this mirror
Who by his lady's command, who by his own hand

Who in mortal chains, who in power
And who shall I say is calling?

A versão de Leonard Cohen:

A versão de Gal Klein e Seed Holden:

A versão do Avalanche Quartet:

1411 – Eagles – Already gone (1974)

Escrita por Jack Temphin e Robb Strandlund, foi gravada em 1974 e lançada em 22 de março de 1974 no disco On the border. Saiu também em compacto em 19 de abril de 1974 no compacto que tinha Is it true como Lado B. Chegou ao número 32 no Billboard Hot100. O compositor Temphim foi compositor de Peaceful easy feelings. Frey foi o vocalista. O novo guitarrista Don Felder tocou uma Les Paul Special e criou o solo. Foi a canção que abriu o disco. Glenn Frey cantou e fez solos de guitarra. Don Henley tocou bateria e fez backing vocals. Berlie Leadon tocou guitarra e fez backing vocals. Randy Meisner tocou baixo e fez backing vocals. Don Felder fez solos de guitarra.

A letra:

Well, I heard some people talking just the other day
And they said you were gonna put me on a shelf
But let me tell you I got some news for you
And you'll soon find out it's true
And then you'll have to eat your lunch all by yourself

'Cause I'm already gone
And I'm feelin' strong
I will sing this victory song
Woo hoo hoo, my my, woo hoo hoo

The letter that you wrote me made me stop and wonder why
But I guess you felt like you had to set things right
Just remember this, my girl, when you look up in the sky
You can see the stars and still not see the light (that's right)

And I'm already gone and I'm feeling strong
I will sing this victory song
Woo hoo hoo, my my, woo hoo hoo

Well, I know it wasn't you who held me down
Heaven knows it wasn't you who set me free
So often times it happens that we live our lives in chains
And we never even know we have the key

But me, I'm already gone and I'm feelin' strong
I will sing this victory song

'Cause I'm already gone
Yes, I'm already gone

And I'm feelin' strong
I will sing this victory song
'Cause I'm already gone
Yes, I'm already gone
Already gone
All right, nighty-night
Already gone

A versão do Eagles:

A versão de Sweet Fever:

A versão de Orsinger:

1410 – Bob Marley and the Wailers – Lively up yourself (1974)

Escrita por Bob Marley, foi gravada em 1974 no Harry J. Studios, em Kingston, Jamaica e lançada em 25 de outubro de 1974 no disco Natty Dread, O sétimo disco da banda. Foi o primeiro sem Peter Tosh e Bunny Wailer. Trata-se de uma celebração positiva de reggae e sexo, influenciada pelo blues. Mostra também sua crescente influencia do Rastafari. Bob Marley cantou e tocou guitarra ritmica. Aston Barrett tocou baixo. Carlton Barrett tocou bateria e percussão. Bernard Harvey tocou piano e órgão. Jean Roussel tocou teclado e arranjou a canção. Al Anderson tocou guitarra solo. Rita Marley, Judy Mowatt e Marcia Griffiths fizeram os backing vocals. Lee Jaffe tocou gaita.

A letra:

Oh yeah, oh yeah

You're gonna lively up yourself, and don't be no drag

You lively up yourself 'cause reggae is another bag

You lively up yourself, and don't say, 'no'
You're gonna lively up yourself 'cause i said so!

Hear what you gonna do
you rock so, you rock so, like you never did before, yeah!
you dip so, you dip so: dip through my door

you come so, you come so, oh yeah!
you skank so, you skank so: be alive today!

You're gonna lively up yourself, and don't say, 'no'
you lively up yourself, big daddy says so, y'all!
you lively up yourself, and don't be no drag
you lively up yourself 'cause REGGAE is another bag

What you got that I don't know?
I'm a-trying to wonder - wonder - wonder why you
wonder - wonder why you act so. yeah!

Hey, do you hear what the man said?
lively up your(self) - your woman in the morning time, y'all!
wa! keep a liv'lin' up your woman when the evening come

and take you - take you - take you - take you!
come on, baby! 'cause i wanna be lively myself, y'all!

lively up yourself
lively up yourself
you want to rock so, you rock so

you rock so, you rock so
you dip so, you dip so
you skank so, you skank so, and don't be no drag!
you come so, you come so, for reggae is another bag!
Get what you got in that bag!

what you got in d' other bag you got hanging there?
what you say you got?
I don't believe you!

A versão de Bob Marley and The Wailers:

A versão de The Late Ones:

A versão de Rootsriders: