Escrita por Joni Mitchell, foi gravada em 1976 e lançada em novembro de 1976, no disco Hejira. Sairia depois em 1977 em compacto, com Blue Motel room como Lado B. Foi produzida por Henry Lewi e Joni Mitchell. Foi inspirada em Sham Shepard, que era casado e que Joni teve uma rápida ligação durante a turnê de Bob Dylan de 1975-1976 chamada Rolling Thunder Revue. No documentário de Martin Scorcese sobre essa turnê tem uma filmagem de Joni tocando essa música na casa de Gordon Lightfoot, com Bob Dylan e Roger McGuinn acompanhando-a nos violões. McGuinn antes dela cantar disse: “Joni compôs essa música sobre essa turnê, durante esse turnê e para essa turnê”. É uma canção sobre uma trepada. Bay of Fundy era um cottage que Sam Shepard tinha em West Advocate, Nova Scotia, Canadá. Baljennie é em Saskatchewan, onde Joni Mitchell cresceu. Chegou ao número 79 no Canadá. Joni Mitchell tocou violão e guitarra e cantou. Jaco Pastorius tocou baixo e Bobbye Hall tocou percussão.
A letra:
No
regrets, coyote
We just come from such different sets of
circumstance
I'm up all night in the studios
And you're up
early on your ranch
You'll be brushing out a brood mare's
tail
While the sun is ascending
And I'll just be getting home
with my reel to reel
There's no comprehending
Just how close to
the bone and the skin and the eyes
And the lips you can get
And
still feel so alone
And still feel related
Like stations in
some relay
You're not a hit and run driver, no, no
Racing
away
You just picked up a hitcher
A prisoner of the white lines
on the freeway
We saw a farmhouse burning down
In
the middle of nowhere
In the middle of the night
And we rolled
right past that tragedy
'Til we turned down to some road house
lights
Where a local band was playing
Locals were up kicking
and shaking on the floor
And the next thing I know
That
coyote's at my door
He pins me in a corner and he won't take no
He
drags me out on the dance floor
And we're dancing close and
slow
Now he's got a woman at home
He's got another woman down
the hall
He seems to want me anyway
Why'd you have to get so
drunk
And lead me on that way
You just picked up a hitcher
A
prisoner of the white lines on the freeway
I looked a coyote right in the face
On
the road to Baljennie, near my old home town
He went running thru
the whisker wheat
Chasing some prize down
And a hawk was
playing with him
Coyote was jumping straight up and making
passes
He had those same eyes just like yours
Under your dark
glasses
Privately probing the public rooms
And peeking through
keyholes in numbered doors
Where the players lick their wounds
And
take their temporary lovers
And their pills and powders
To get
them through this passion play
No regrets, coyote
I just get
off up aways
You just picked up a hitcher
A prisoner of the
white lines on the freeway
Coyote's in the coffee shop
He's
staring a hole in his scrambled eggs
He picks up my scent on his
fingers
While he's watching the waitresses' legs
He's too far
from the Bay of Fundy
From appaloosas and eagles and tides
And
the air conditioned cubicles
And the carbon ribbon rides
Are
spelling it out so clear
Either he's going to have to stand and
fight
Or take off out of here
I tried to run away myself
To
run away and wrestle with my ego
With this, this flame
You put
here in this Eskimo
In this hitcher
In this prisoner
Of the
fine white lines
Of the white lines on the free, freeway
A
versão de Joni Mitchell:
A versão de Aoife O'Dovan:
A versão de JK Jones:
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