sexta-feira, 10 de dezembro de 2021

1454 – Grateful Dead – Scarlet Begonias (1974)

 

Escrita por Jerry Garcia e Robert Hunter, foi gravada em 1974 e lançada no disco From the Mars Hotel, em 2 de junho de 1974. Foi regravada por Jimmy Buffett, entre outros artistas. Jerry Garcia tocou guitarra solo e cantou. Donna Jean Godchaux fez backing vocals. Keith Kodchaux tocou teclado e fez backing vocals. Bill Kreutzmann tocou bateria. Phil Lesh tocou baixo e fez backing vocals. Bob Weir tocou guitarra e fez backing vocals.


A letra:


As I was walkin' 'round Grosvenor Square
Not a chill to the Winter but a nip to the air
From the other direction, she was calling my eye
It could be an illusion, but I might as well try, might as well try


She had rings on her fingers and bells on her shoes
And I knew, without askin', she was into the blues
She wore scarlet begonias tucked into her curls
I knew right away she was not like other girls, other girls


In the thick of the evening, when the dealing got rough
She was too pat to open and too cool to bluff
As I picked up my matches and was closing the door
I had one of those flashes I'd been there before, been there before


Well, I ain't always right, but I've never been wrong
Seldom turns out the way it does in a song
Once in a while, you get shown the light
In the strangest of places if you look at it right


Well, there ain't nothing wrong with the way she moves
Oh Scarlet begonias or a touch of the blues
And there's nothing wrong with the look that's in her eyes
Had to learn the hard way to let her pass by, let her pass by


Wind in the willow's playin' "Tea For Two"
The sky was yellow, and the sun was blue
Strangers stoppin' strangers just to shake their hand
Everybody's playing in the heart of gold band, heart of gold band


A versão do Grateful Dead:



A versão de Mike Massé:



A versão de Savannah and The Kings:



quinta-feira, 9 de dezembro de 2021

1453 – Rod Stewart – Farewell (1974)


Escrita por Martin Quittenton e Rod Stewart, foi gravada entre novembro de 1973 e maio de 1974 e lançada em 4 de outubro de 1974 no disco Smiler. Também saiu em compacto com Bring it on home to me/You send como Lado B. Teve participação especial de Ray Jackson no bandolim e Ric grech no violino. Chegou ao número 7 no Reino Unido. Fala de um jovem rapaz que deixa sua casa e tenta ganhar o mundo do show business.


A letra:


Fare thee well my brother
Please don't stand in my way
I'm going down to that dirty town
No matter what you say
You fooled me and you ruled me
And you played in every part
I gotta go, it's no use me stayin' home

Goodbye my sister
Please don't let me see you cry
Gonna be a star someday
No matter what they say
And when you hear the crowds
All callin' and shouting out my name
Until then, my little friend, I'll be unsatisfied

So long sweet Melinda
Don't forget that you're my girl
Gonna dress you fine
And if you give me time
Make you proud like I said I would
And if the Champs Elysee's no fallacy
If I find the world looks like it should
Candy cars, movie stars, street bars
Then I could stay a while

Well I love you
Shall I write or phone from Paris or Rome?
And I'll miss you all
Even though you're tryin' to hold me back

Farewell all my family
Don't you know I mean you so well
Please appreciate I must make a break
Just to see what I can do
The stage is set so understand
I can't hide in the wings no more
I've got to go now it's no use me staying home

All I can say is I love you
Shall I write or phone from Paris or Rome?
And I think I'm always gonna miss you
And I love you always
I think I'm always gonna miss ya
Even though you're tryin' to hold me back

And I love you and I miss you
If you don't get no mail you know I'm in jail
If you don't get no mail you know I'm in jail
But I love you and I miss you
And I love you


A versão de Rod Stewart:



quarta-feira, 8 de dezembro de 2021

1452 – America – Lonely people (1974)

 

Escrita por Dan Peek e Catherine Peek, foi gravada pelo America em 1974 e lançada no disco Holiday em 26 de junho de 1974 e também em compacto com Mad dog como Lado B, em 27 de novembro de 1974. Chegou ao número 5 do Billboard HOT100. É uma resposta otimista à Eleanor Rigby, dos Beatles. Dan Peek disse que ouvia Eleanor Rigby e como uma pessoa solitária, ele se sentia extremamente pra baixo, até que quando se casou com Catherine, ele resolveu fazer uma resposta à canção, dizendo pras pessoas solitárias não se desesperarem, que uma hora a hora delas vai chegar.


A letra:


This is for all the lonely people
Thinking that life has passed them by
Don't give up until you drink from the silver cup
And ride that highway in the sky

This is for all the single people
Thinking that love has left them dry
Don't give up until you drink from the silver cup
You never know until you try

Well, I'm on my way
Yes, I'm back to stay
Well, I'm on my way back home (Hit it)

This is for all the lonely people
Thinking that life has passed them by
Don't give up until you drink from the silver cup
And never take you down or never give you up
You never know until you try


A versão do America:



A versão de Pete Muller and The Kindred Souls:



A versão de Pomp La Moose:


terça-feira, 7 de dezembro de 2021

1451 – Queen – Killer queen (1974)

 

Escrita por Freddie Mercury, foi gravada entre julho e agosto de 1974 e lançada em 11 de outubro de 1974 no compacto que tinha Flick of the wrist como Lado A. Saiu também no disco Sheer heart attack, o terceiro da banda, em 8 de novembro de 1974. Foi produzida por Roy Thomas Baker e pela banda. Chegou ao número 2 no Reino Unido e na Irlanda e se tornou o primeiro hit da banda na América, chegando ao número 12 do Billboard HOT100. Chegou ao número 15 no Canadá, ao número 3 na Holanda, número 4 na Noruega e Bélgica, número 10 na Áustria e França, número 12 na Alemanha e número 24 na Austrália. Fala de uma garota de programa de alta classe. Freddie disse que escreveu a letra antes e só depois a melodia e música, quando sempre ele fazia o contrário. Foi gravada parcialmente no Rockfield Studios, no País de Gales. Tem bem elaboradas quatro parte de harmonias e um solo de guitarra de Brian May. E em um ponto determinado, tem duas linhas de baixo. Freddie disse que com essa música, ele quis dizer que pessoas de classe poderiam ser putas também. Brian May disse que essa canção foi um ponto de mudança pra banda. Eles estavam precisando do sucesso que ela trouxe, no momento certo e essa canção sumarizou o som da banda. Ele disse que ficou muito feliz mesmo com o resultado da gravação. Foi o começo do Queen nas rádios. Mostrou a banda se tornando mestre do pop. Kate Perry disse que essa música despertou-a pra música se ajudou-a a se tornar a cantora de hoje. Freddie Mercury cantou, fez backing vocals, tocou grand piano, piano e estalou os dedos. Brian May tocou guitarra e fez backing vocals. Roger Taylor tocou bateria, triangulo, chimes e fez backing vocals. John Deacon tocou baixo.


A letra:


She keeps her Moet et Chandon
In her pretty cabinet
"Let them eat cake", she says
Just like Marie Antoinette

A built-in remedy
For Khrushchev and Kennedy
At anytime an invitation
You can't decline


Caviar and cigarettes
Well versed in etiquette
Extraordinarily nice


She's a Killer Queen
Gunpowder, gelatine
Dynamite with a laser beam
Guaranteed to blow your mind
Anytime


Recommended at the price
Insatiable an appetite
Wanna try?


To avoid complications
She never kept the same address
In conversation
She spoke just like a baroness

Met a man from China
Went down to Geisha Minah
Then again incidentally
If you're that way inclined


Perfume came naturally from Paris (naturally)
For cars she couldn't care less
Fastidious and precise


She's a Killer Queen
Gunpowder, gelatine
Dynamite with a laser beam
Guaranteed to blow your mind
Anytime


Drop of a hat she's as willing as
Playful as a pussy cat
Then momentarily out of action
Temporarily out of gas
To absolutely drive you wild, wild
She's all out to get you


She's a Killer Queen
Gunpowder, gelatine
Dynamite with a laser beam
Guaranteed to blow your mind
Anytime


Recommended at the price
Insatiable an appetite
Wanna try?
You wanna try


A versão do Queen:



A versão de Marc Martel:



A versão de Reina Del Cid:



segunda-feira, 6 de dezembro de 2021

1450 – Eric Clapton – Let it grow (1974)


Escrita por Eric Clapton, foi gravada entre abril e maio de 1974, em Miami, Flórida e lançada em julho de 1974 no disco 461 Ocean Boulevard, o segundo disco de estúdio de eric Clapton como artista solo. A melodia e progressão de acordes parecem muito com os de Stairway to heaven, do Led Zeppelin. Eric Clapton tocou guitarra, dobro e cantou. George Terry tocou guitarra e fez backing vocals. Albhy Galuten tocou piano e Sintetizador ARP. Dick Sims tocou teclado. Carl Radle tocou baixo. Jamie Oldaker tocou bateria e percussão. Yvonne Elliman e Tom Bernfield fizeram backing vocals.


A letra:


Standing at the crossroads
Trying to read the signs
To tell me which way I should go
To find the answer
And all the time I know
Plant your love and let it grow


Let it grow, let it grow
Let it blossom, let it flow
In the sun, the rain, the snow
Love is lovely, let it grow


Looking for a reason
To check out of my mind
Trying hard to get a friend that I can count on
But there's nothing left to show
Plant your love and let it grow


Let it grow, let it grow
Let it blossom, let it flow
In the sun, the rain, the snow
Love is lovely, so let it grow
Let it grow, let it grow


Time is getting shorter
And there's much for you to do
Only ask and you will get what you are needing
The rest is up to you
Plant your love and let it grow


Let it grow, let it grow
Let it blossom, let it flow
In the sun, the rain, the snow
Love is lovely, so let it


Let it grow, let it grow
Let it blossom, let it flow
In the sun, the rain, the snow
Love is lovely, so let it grow


A versão de Eric Clapton:



sexta-feira, 3 de dezembro de 2021

1449 – Neil Diamond – I've been this way before (1974)

 

Escrita por Neil Diamond, foi gravada em 1974 e lançada no disco Serenade, o nono disco de estúdio de Neil, em 27 de setembro de 1974. Saiu também em compacto, o segundo do album, chegando ao número 34 do Billboard HOT100.


A letra:


I've seen the light
And I've seen the flame
And I've been this way before
And I'm sure to be this way again
For I've been refused
And I've been regained
And I've seen your eyes before
And I'm sure to see your eyes again

Once again
For I've been released
And I've been regained
And I've sung my song before
And I'm sure to sing my song again
Once again

Some people got to laugh
Some people got to cry
Some people got to make it through
By never wondering why

Some people got to sing
Some people got to sigh
Some people never see the light
Until the day they die

But I've been released
And I've been regained
And I've been this way before
And I'm sure to be this way again
Once again
One more time again
Just one more time


A versão de Neil Diamond:



A versão de Sara Brightman:



quinta-feira, 2 de dezembro de 2021

1448 – Grateful Dead – Ship of fools (1974)


Escrita por Jerry Garcia e Robert Hunter, teve os vocais principais feitos por Garcia. Foi gravada entre março e abril de 1974, no Coast Recorders, na Folsom Street, em San Francisco, onde eles gravaram seu primeiro disco, em 1967. Jerry Garcia quis gravar lá pois havia gravado no começo do ano com Art Garfunkel e percebeu que o estúdio tinha um som mais parecido com um som ao vivo. Foi lançada em 27 de junho de 1974 no disco From the Mars Hotel, o sétimo disco de estúdio da banda. Foi produzida pela própria banda. Jerry Garcia tocou guitarra solo e cantou. Donna Jean Godchaux fez backing vocals. Keith Godchaux tocou teclado e fez backing vocals. Bill Kreutzmann tocou bateria. Phil Lesh tocou baixo e Bob Weir tocou guitarra e fez backing vocals.


A letra:


Went to see the captain, strangest I could find
Laid my proposition down, lLaid it on the line

I won't slave for beggar's pay
Likewise gold and jewels
But I would slave to learn the way
To sink your ship of fools


Ship of fools
On a cruel sea
Ship of fools
Sail away from me


It was later than I thought
When I first believed you
Now I cannot share your laughter
Ship of fools


Saw your first ship sink and drown
From rockin' of the boat
And all that could not sink or swim
Was just left there to float


I won't leave you drifting down
But whoa, it makes me wild
With 30 years upon my head
To have you call me child


Ship of fools
On a cruel sea
Ship of fools
Sail away from me


It was later than I thought
When I first believed you
Now I cannot share your laughter
Ship of fools


The bottles stand as empty
As they were filled before
Time that was in plenty
But from that cup no more


Though I could not caution all
I still might warn a few
Don't lend your hand to raise no flag
Atop no ship of fools


Ship of fools
On a cruel sea
Ship of fools
Sail away from me


It was later than I thought
When I first believed you
Now I cannot share your laughter
Ship of fools


It was later than I thought
When I first believed you
Now I cannot share your laughter
Ship of fools


A versão do Grateful Dead:



A versão de Reina Del Cid:



A versão de Black Eyed Dogs:



quarta-feira, 1 de dezembro de 2021

1447 – Rod Stewart – Mine for me (1974)

 

Escrita por Paul McCartney e Linda McCartney, foi gravada por Rod Stewart e lançada em 4 de outubro de 1974 no disco Smiler. Saiu também em compacto, com Farewell como Lado B. Chegou ao número 91 no Billboard HOT100.


A letra:


In a couple of hours I'll be drivin' home to the one I love
So save your breath, sweet painted lady, it won't be me
Over the mountain and under the sea
They'll never be another one like mine for me

It was only an hour or so ago that I sang my song
Persuaded painted ladies that I could say I'd been free, yeah yeah
Over the mountain and under the sea
They'll never be another one like mine for me

Mine is always, mine is grand
Don't you know that the woman that love me she understands
And can't you see that it's mine for me?

And in a couple of hours I'll be driving home to the one I love
So save your breath, sweet painted lady, it won't be me
Over the mountain and under the sea
They'll never be another one like mine for me
You're for me, yeah

Mine is always, mine is grand
Don't you know that the woman that love me she understands
And can't you see that it's mine for me?

They'll never be another one like mine for me
They'll never be another one like mine for me
They'll never be another one like you for me


A versão de Rod Stewart:



A versão de Richard Royle:



segunda-feira, 29 de novembro de 2021

1446 – America – Tin Man (1974)

 

Escrita por Dewey Bunnell, foi gravada em 1974 e lançada em 26 de junho de 1974, no disco Holiday e depois em compacto que tinha In the country como Lado B, em 10 de julho de 1974. Foi produzida pelo lendário George Martin, o quinto Beatle. Martin também toca o piano. O título e parte da letra se referem ao Tin Woodman, o homem de lata, do Mágico de Oz. Foi o quarto top 10 nos Estados Unidos, chegando ao número 4 do Billboard HOT100. Chegou também ao número 5 no Canadá. Ivo Meirelles fez uma versão em português chamada Swing man, lançada em 2004, no disco Samba Soul.


A letra:


Sometimes late
When things are real
And people share the gift of gab
Between themselves


Some are quick
To take the bait
And catch the perfect prize
That waits among the shelves


But Oz never did give nothing to the Tin Man
That he didn't, didn't already have
And cause never was the reason for the evening
Or the tropic of Sir Galahad


So please believe in me
When I say I'm spinning 'round, 'round, 'round, 'round
Smoke glass stain'd bright colors
Image going down, down, down, down
Soapsud green like bubbles


Oz never did give nothing to the Tin Man
That he didn't, didn't already have
And cause never was the reason for the evening
Or the tropic of Sir Galahad


So please
Believe in me
When I say I'm spinning' round, 'round, 'round, 'round
Smoke glass stain'd bright colors

Image going down, down, down, down
Soapsud green like bubbles


No, Oz never did give nothing to the Tin Man
That he didn't, didn't already have
And cause never was the reason for the evening
Or the tropic of Sir Galahad

So please believe in me


A versão do America:



A versão de Daring Greatly:



A versão de Ivo Meirelles:



sexta-feira, 26 de novembro de 2021

1445 – Supertramp – Bloody well right (1974)

 

Escrita por Rick Davies e Roger Hodgson, foi gravada entre fevereiro e junho de 1974 e lançada em 13 de setembro de 1974 no disco Crime of the century. Saiu também em compacto com Dreamer como Lado A. Foi produzida por Ken Scott e pela própria banda. Chegou ao número 35 do Billboard HOT100 e número 49 no Canadá. Foi linkada de propósito à school, através da frase “So you think your schooling is phoney?”, ajudando a perpetuar a idéia de que o disco é um disco conceitual. Começa com 51 segundos de solo de piano, um piano elétrico Wurlitzer, tocado por Rick Davies. Depois da banda entrar, um solo de guitarra tocado por Roger, com um pedal wah-wah. A primeira palavra só vem depois, aos um minuto e 38 segundos de música. Rick Davies tocou piano elétrico Wurlitzer, piano acústico e cantou e fez backing vocals. Roger Hogdson tocou guitarra, violão e fez backing vocals. Bob Siebenberg tocou bateria e percussão. Dougie Thomson tocou baixo e John Helliwell tocou sax e fez backing vocals.


A letra:


So you think your schooling's phoney
I guess it's hard not to agree
You say it all depends on money
And who is in your family tree

Right (right), you're bloody well right
you gotta a bloody right to say
Right, you're bloody well right
you know you got a right to say

Ha-ha you're bloody well right
you know you're right to say
Yeah-yeah you're bloody well right
you know you're right to say

Me, I don't care anyway!

Write your problems down in detail
Take them to a higher place
You've had your cry - no, I should say wail
In the meantime hush your face

Right (right), you're bloody well right
you gotta a bloody right to say
Right, you're bloody well right
you know you got a right to say

Ha-ha you're bloody well right
you know you're right to say
Yeah-yeah you're bloody well right
you know you got a right to say

You gotta a bloody right to say
You gotta a bloody right to say
You gotta a bloody right to say
You gotta a bloody right to say

A versão do Supertramp:



A versão de Low Darts:



A versão de Breakfast in Halifax:



quinta-feira, 25 de novembro de 2021

1444 – Chicago – (I've been) Searchin' so long (1974)

 

Escrita por James Pankow, foi lançada em fevereiro de 1974 no compacto que tinha Byblos como Lado B. Saiu depois no disco Chicago VII, em 11 de março de 1974. Chegou ao número 9 no Billboard HOT100. Chegou ao número 5 no Canadá. :Peter Cetera cantou, tocou baixo e baixo fretless. Robert Lamm tocou piano elétrico Rhodes, Sintitizador Minimoog e fez backing vocals. Terry Kath tocou guitarra com wah-wah e fez backing vocals. Danny Seraphine tocou bateria. Lee Loughnane tocou trompete e fez backing vocals. James Pankow tocou trombone, percussão e fez backing vocals. Walter Parazaider tocou sax tenor. David J. Wolinski tocou sintetizador ARP. Laudir de Oliveira tocou congas e Jimie Haskell tocou cordas.


A letra:


As my life goes on I believe
Somehow something's changed
Something deep inside
Ooh a part of me


There's a strange new light in my eyes
Things I've never known
Changing my life
Changing me


I've been searchin'
So long
To find an answer
Now I know my life has meaning, oh, oh


Now I see myself as I am
Feeling very free
Life is everything
Ooh it's meant to be


When my days have come to an end
I will understand
What I left behind
Part of me


I've been searching
So long
To find and answer
Now I know my life has meaning, whoa, whoa


Searching (don't you know I'm)
For an answer
To the question
Oh yeah
"Who am I?"


Maybe (maybe it's true)
It's only natural (it's only natural baby, yeah)

Good things
In life
Take a long time (yeah yeah)


A versão do Chicago:



A versão de Leonid and Friends:



A versão do Chicago Experience:


quarta-feira, 24 de novembro de 2021

1443 – Elton John – The bitch is back (1974)

 

Escrita por Elton John e Bernie Taupin, foi gravada no Caribou Ranch, em janeiro de 1974 e lançada em 28 de junho de 1974 no disco Caribou, e depois sairia em compacto com Cold highway como Lado B, em 3 de setembro de 1974. Foi produzida por Gus Dudgeon. Chegou ao número 1 no Canadá, se tornando o sexto numero 1 de Elton no Canadá. Chegou também ao número 4 nos Estados Unidos e número 15 no Reino Unido. Faz uma parodia à vida de celebridade de Elton John. Chegou à disco de ouro nos Estados Unidos em 13 de seetmbro de 1995. A canção foi inspirada pela esposa de Bernie Taupin, chamada Maxine Feibelman. Quando Elton estava de mau humor, ela dizia: “The bitch is back”. Elton diz que essa é a canção tema da vida dele. Muitas rádios nos Estados Unidos não tocaram a canção por causa do nome “Bitch”. Ray Cooper tocou pandeiro. Davey Johnstone tocou guitarra. Elton John cantou e tocou piano. Clydie King, Jessie Mae Smith, Dusty Springfield e Sherlie Matthews fizeram backing vocals. Dee Murray tocou baixo Nigel Olsson tocou bateria. Lenny Pickett tocou sax tenor solo. Os metais foram feitos pelo Tower of Power. Foi regravada por Tina Turner, Rihanna e Miley Cyrus, entre outros artistas.


A letra:


I was justified when I was five
Raising Cain, I spit in your eye
Times are changing now the poor get fat
But the fever's gonna catch you when the bitch gets back
(Oh-oh-oh)


Eat meat on Friday, that's alright
I even like steak on a Saturday night
I can bitch the best at your social do's
I get high in the evening sniffing pots of glue
(Ooh-ooh-ooh)


I'm a bitch, I'm a bitch, oh, the bitch is back
Stone-cold sober, as a matter of fact
I can bitch, I can bitch 'cause I'm better than you
It's the way that I move, the things that I do, oh-oh-oh


I entertain by picking brains
Sell my soul by dropping names
I don't like those, my God, what's that?
Oh, it's full of nasty habits when the bitch gets back
(Oh-oh-oh)


I'm a bitch, I'm a bitch, oh, the bitch is back
Stone-cold sober, as a matter of fact
I can bitch, I can bitch 'cause I'm better than you
It's the way that I move, the things that I do, oh-oh-oh


I'm a bitch, I'm a bitch, oh, the bitch is back
Stone-cold sober, as a matter of fact
I can bitch, I can bitch 'cause I'm better than you
It's the way that I move, the things that I do, oh-oh-oh


Bitch, bitch, bitch is back
Bitch, bitch, bitch is back
Bitch, bitch, bitch is back
Bitch, bitch, bitch is back
Bitch, bitch, bitch is back
Bitch, bitch, bitch is back
Bitch, bitch, bitch is back
Bitch, bitch, bitch is back


A versão de Elton John:



A versão de Miley Cyrus:



A versão de Tina Turner:



2205 – Supertramp – It's raining again (1982)

Escrita por Roger Hodgson, foi gravada entre novembro de 1981 e metade de 1982, foi lançada em 22 de outubro de 1982, no compacto que tinh...