Escrita
por Bono Vox, The Edge, Adam Clayton e Larry Mullen Jr., foi gravada
em 1980 e lançada em 18 de agosto de 1980, no compacto que tinha
Things to make and do, instrumental, como Lado B. Sairia também no
disco Boy, o de estréia da banda, em 20 de outubro de 1980. Foi
produzida por Steve Lillywhite. Na verdade foi a primeira música que
ele produziu com a banda. A letra fala de remover uma pessoa do seu
círculo social habitual e reflete sobre o que seria o mundo sem a
presença dessa pessoa.
A
letra:
Starting
a landslide in my ego Look from the outside To the world I left
behind
I'm dreaming You're awake If I
were sleeping What's at stake A day without me
Whatever the feelings I keep
feeling What are the feelings You left behind
Today's a day without me
I started a landslide in my ego Look
from the outside To the world I left behind
In the world I left behind Wipe
their eyes, and then let go To the world I left behind Shed a
tear, and then let go
Escrita
por Bruce Springsteen, foi gravada em 24 e 25 de abril de 1980, no
Power Station Studio, em New York City e lançada em 17 de outubro de
1980, no disco The River, o quinto de Bruce. Sairia também em
compacto, que tinha The River como Lado A, em maio de 1981. Foi
produzida por Bruce Springsteen, Steven Van Zandt e Jon Landau. Bruce
disse que o coração e a alma do disco eram Independence day, Point
blank, Stolen car e The River. Ou seja, é uma das quatro canções
mais importantes do disco pro próprio Bruce. Fala de um lar que já
não pode mais ter pai e filho juntos no mesmo teto. A canção é
cantada do filho falando pro pai. Começa com a frase: “Papa go to
bed now, it's getting late”, mudando a ordem natural que era o pai
dizendo isso pro filho. O filho então reconhece que apesar de
algumas similaridades, eles dois brigam demais e é hora do filho
partir. É conhecida como melhor trabalho vocal de Bruce, com uma
sinceridade brutal que fortalece a canção. Foi escrita ainda em
1977. Bruce cantou e tocou guitarra. Roy Bittan tocou piano. Clarence
Clemons tocou sax e pandeiro. Danny Federici tocou orgão. Gary
Tallent tocou baixo. Steve Van Zandt tocou guitarra. Max Weinberg
tocou bateria.
A
letra:
Well
Papa go to bed now it's getting late Nothing we can say is gonna
change anything now I'll be leaving in the morning from St. Mary's
Gate We wouldn't change this thing even if we could somehow Cause
the darkness of this house has got the best of us There's a
darkness in this town that's got us too But they can't touch me
now And you can't touch me now They ain't gonna do to me What
I watched them do to you
So say goodbye it's Independence
Day It's Independence Day All down the line Just say goodbye
it's Independence Day It's Independence Day this time
Now I
don't know what it always was with us We chose the words, and
yeah, we drew the lines There was just no way this house could
hold the two of us I guess that we were just too much of the same
kind
Well say goodbye it's Independence Day It's
Independence Day all boys must run away So say goodbye it's
Independence Day All men must make their way come Independence
Day
Now the rooms are all empty down at Frankie's joint And
the highway she's deserted clear down to Breaker's Point There's a
lot of people leaving town now Leaving their friends, their
homes At night they walk that dark and dusty highway all
alone
Well Papa go to bed now, it's getting late Nothing we
can say can change anything now Because there's just different
people coming down here now and they see things in different ways And
soon everything we've known will just be swept away
So say
goodbye it's Independence Day Papa now I know the things you
wanted that you could not say But won't you just say goodbye it's
Independence Day I swear I never meant to take those things away
Escrita
por Neil Young, foi gravada em 11 de agosto de 1976, no Indigo Ranch
Recording Studio, em Malibu, na California e lançada em 29 de
outubro de 1980, no disco Hawks and Doves, o décimo segundo disco de
Neil. Foi produzida por Elliot Mazer, Tim Mulligan e Neil Young. Na
gravação, só temos Neil tocando violão e cantando. Nenhum outro
músico. Fala sobre a vida de Lou Kennedy, um mercador marinho que
teve seu barco destruído por um barco alemão em agosto de 1941.
Neil estava de ferias em Nassau, nas Bahamas e conheceu Kennedy no
começo dos anos 70 e conheceu sua história e compôs essa música
em sua homenagem.
A
letra:
I
am a young mariner headed to war I'm thinking about my family and
what it was for There's water on the wood and the sails feel
good And when I get to shore I hope that I can kill good
My father was a sailor named Captain
Kennedy He lost his wooden schooner to the Germans on the
sea Exploded on the water for everyone to see And humiliate
that American Captain Kennedy
I saw him in Nassau in nineteen-seventy
one His strength was failing but he still ran a run He worked
until his fingers wore to the bone To buy that wooden schooner and
sail on his own
He was known in the islands as hundred
foot iron That steel hull freighter was passing its time And
time flew by faster with life on the sea And the days grew shorter
for Captain Kennedy
I am a young mariner headed to war I'm
thinking about my family and what it was for There's water on the
wood and the sails feel good And when I get to shore I hope
that I can kill good
Escrita
por John Lennon, foi gravada entre agosto e outubro de 1980 e lançada
em 17 de novembro de 1980, no disco Double Fantasy, o quinto e último
disco de John em vida. Foi produzida por John, Yoko e Jack Douglas.
Foi composta nas Bermudas em junho de 1980, depois de várias
tentativas de John de ligar pra Yoko, sem sucesso de alcança-la.
Yoko estava em New York City. O fato dele não atender o telefone
levou-o a analisar como andava o casamento como um todo. Ele admite
na letra que o relacionamento não está bom, que ele havia machucado
a esposa mas ele também ressentia o fato dele não poder fazê-la
esquecer desses erros cometidos. Ele também diz que esses erros
ocorreram há muito tempo atrás, não fazia sentido ficar guardando
ressentimentos. Foi regravada pelo Cheap Trick, entre outros
artistas. John cantou e tocou guitarra ritmica. Earl Slick e Hugh
McCracken tocaram guitarra solo. Tony Levin tocou baixo. George Small
tocou teclado. Andy Newmark tocou bateria e Arthur Jenkins tocou
percussão.
A
letra:
Here
in some stranger's room Late in the afternoon What am I doing
here at all? Ain't no doubt about it I'm losing you I'm
losing you
Somehow the wires have crossed Communication's
lost Can't even get you on the telephone Just got to shout
about it I'm losing you I'm losing you
Well, here in the
valley of indecision I don't know what to do I feel you
slipping away I feel you slipping away I'm losing you I'm
losing you
Well now you say you're not getting enough But I
remind you of all that bad, bad, bad stuff So what the hell am I
supposed to do? Just put a band-aid on it? And stop the
bleeding now Stop the bleeding now Well...
I'm losing
you I'm losing you
Well, well, well I know I hurt you
then But hell, that was way back when Well, do you still have
to carry that cross? (Drop it!) Don't wanna hear about it I'm
losing you I'm losing you
Don't wanna lose you
now Well... No, no, no, no...
A
versão de John Lennon:
A
versão do Cheap Trick:
Mark
Hudson com Earl Slick (que gravou com John originalmente a música):
Escrita
por Mark Knopfler, foi gravada entre junho e agosto de 1980, no Power
Station Studios, em New York City e lançada em 17 de outubro de
1980, no disco Making Movies, o terceiro do Dire Straits. Foi
produzida por Mark Knopfler e Jimmy Iovine. Mark Knopfler cantou e
tocou guitarras. John Illsley tocou baixo e cantou. Pick Withers
tocou bateria e cantou. Roy Bittan tocou teclados e Sid McGinnis
tocou guitarra.
A
letra:
Well,
now take a look at that I made a castle in the sand Saying "This
is where it's at", you couldn't understand now If I realized
that the chances were slim How come I'm so surprised when the tide
rolled in?
Gonna live on solid rock Gonna live
on solid rock Wanna give, I don't wanna be blocked I'm gonna
live on solid rock
Well, I'm sick of potential, I'm sick
of vanity now I'm sticking to essential reality now I don't
know what's worse, try to make a silk purse Living an illusion, in
confusion
Gonna live on solid rock Gonna live
on solid rock Gonna live, I don't wanna be blocked I'm gonna
live on solid rock
You own a house of cards, never built
for shock You could blow it down in any kind of weather Now you
take two solid rocks, two solid blocks You know they're gonna
stick Yeah, they're gonna stick together Oh-oh-oh
Yeah, because the heart that you
break That's the one that you rely on The bed that you
make That's the one you gotta lie on When you point your finger
'cause your plan fell through You got three more fingers pointing
back at you yeah
Gonna live on solid rock I'm gonna
live on solid rock I wanna give, I don't wanna feel blocked I'm
gonna live on solid
Rock, rock, solid rock Rock, rock,
solid rock I wanna give, I don't wanna be blocked I'm gonna
live on solid
Rock, rock, solid rock Rock, rock,
solid rock I wanna give, I don't wanna be blocked I'm gonna
live on solid, solid, solid, solid rock Solid rock, rock Solid
rock, rock
Escrita
por Bob Marley, foi gravada entre janeiro e abril de 1980, no Tuff
Gong Studios, em Kingston, Jamaica. Saiu no disco Uprising, o décimo
segundo disco de Bob Marley and The Wailers, em 10 de junho de 1980.
Foi produzida por Bob Marley e Chris Blakwell. Bob cantou, tocou
guitarra e violão. Aston Barrett tocou baixo, piano e percussão.
Carlton Barrett tocou bateria e percussão. Carlton Davis tocou
bateria. Tyrone Downie tocou teclado e fez backing vocals. Alvin
Patterson tocou percussão. Junior Marvin tocou guitarra solo e
backing vocals. Earl Lindo tocou teclado. Al Anderson tocou guitarra
solo. Rita Marley, Marcia Griffiths e Judy Mowatt fizeram backing
vocals.
A
letra:
We,
Jah people, can make it work Come together and make it work,
yeah! We can make it work We can make it work
Five days
to go: working for the next day Four days to go: working for the
next day Say we got: three days to go now: working for the next
day Two days to go (ooh): working for the next day, yeah Say we
got: one day to go: working for the Every day is work - work -
work - work!
We can make it work We can make it work
We,
Jah people, can make it work Come together and make it work We
can make it work We can make it work
We got: five days to
go work, oh! - working for the next day, yeah! Four days to go:
working for the Three days to go now: working for the next day,
yeah! Two days to go: working for the next day Say we got: one
day to go now: working for Every day is work, watch a! (Work!)
I work in the mid-day sun (Work!) I work 'til the evening
come! (Work!) If yeah aren't I got nothing to do! (Work!)
Ooh-ooh-ooh-oo-oo-ooh! (Work!)
Escrita
por Bono Vox, The Edge, Larry Mullen Jr. e Adam Clayton, foi gravada
entre julho e setembro de 1980 e lançada no disco Boy, o disco de
estreia da banda, em 20 de outubro de 1980. Foi produzida por Steve
Lillywhite. Eles escreveram essa canção no estúdio, durante as
gravações. Fala sobre ambição juvenil. Menciona o livro de Oscar
Wilde O retrato de Dorian Gray. Bono cantou e tocou glockenspiel. The
Edge tocou guitarra, fez backing vocals e tocou glockenspiel. Adam
Clayton tocou baixo e Larry Mullen Jr. tocou bateria.
A
letra:
A
picture in grey Dorian Gray Just me by the sea
And I felt like a star I felt the
world could go far If they listened To what I said, the sea
Washes my feet Washes the
feet Splashes the soul of my shoes
Escrita
por Bruce Springsteen, foi gravada em agosto de 1979, no Power
Station Studios, em New York City e lançada no disco de mesmo nome,
The River, o quinto de Bruce, em 17 de outubro de 1980. Sairia também
em compacto fora dos Estados Unidos, em abril de 1981, com
Independence day como Lado B. Foi produzida por Bruce Springsteen,
Jon Landau e Steven Van Zandt. Chegou ao número 24 na Irlanda,
número 25 na Holanda e foi Top 10 na Suécia e Noruega. Fala da
história da sua irmã e seu cunhado. A imagem do refrão foi
inspirada em Long gone lonesome blues, de Hank Williams. Bruce
cantou, tocou gaita e tocou guitarra. Roy Bittan tocou piano.
Clarence Clemons tocou pandeiro. Danny Federici tocou orgão. Garry
Tallent tocou baixo. Steven Van Zandt tocou guitarra e fez harmonias
vocais. Max Weinberg tocou bateria.
A
letra:
I
come from down in the valley Where, mister, when you're young They
bring you up to do like your daddy done Me and Mary we met in high
school When she was just seventeen We drive out of this
valley Down to where the fields were green We'd go down to the
river And into the river we'd dive Oh, down to the river we'd
ride
Then I got Mary pregnant And man,
that was all she wrote And for my nineteenth birthday I got a
union card and a wedding coat We went down to the courthouse And
the judge put it all to rest No wedding day smiles, no walk down
the aisle No flowers, no wedding dress
That night we went down to the
river And into the river we'd dive Oh, down to the river we did
ride Yeah, yeah
I got a job working construction For
the Johnstown Company But lately there ain't been much work On
account of the economy Now all them things that seemed so
important Well mister they vanished right into the air Now I
just act like I don't remember Mary acts like she don't care
But I remember us riding in my
brother's car Her body tan and wet, down at the reservoir At
night on them banks I'd lie awake And pull her close just to feel
each breath she'd take Now those memories come back to haunt
me They haunt me like a curse Is a dream a lie if it don't come
true Or is it something worse That sends me down to the
river Though I know the river is dry That sends me down to the
river tonight Down to the river My baby and I Oh, down to
the river we ride-ide
Escrita
por Neil Young, foi gravada em 21 de janeiro de 1975, no Village
Recorders, em Los Angeles e lançada no disco Hawks and Doves, em 29
de outubro de 1980. É o décimo primeiro disco de Neil. Foi
produzida por Neil Young, Elliot Mazer e Tim Mulligan. Neil cantou,
tocou violão e gaita. Ele está sozinho na gravação.
A
letra:
All
her friends call her Little Wing But she flies rings around them
all She comes to town when the children sing And leaves them
feathers if they fall She leaves her feathers if they fall
Little Wing, don't fly away When the
summer turns to fall Don't you know some people say The winter
is the best time of them all Winter is the best of all
Escrita
por John Lennon, foi gravada em 1980 e lançada no disco Double
Fantasy, o quinto e último disco de John em vida. Sairia também em
compacto, em 13 de março de 1981, com Yes I'm your angel como Lado
B.Foi produzida por John Lenno Yoko Ono e Jack Douglas. Fala sobre os
cinco anos em que ele ficou em casa pra criar seu flho Sean. Tem uma
harpa daquelas que tinha as cordas e as notas, em formato de
trapézio, chamada Hammered Dulcimer. Pegaram um cara que tocava na
rua chamado Matthew Cunninhgham pra tocar esse instrumento. John
tocou piano e cantou. Earl Slick e Hugh McCracken tocaram as
guitarras. Tony Levin tocou baixo. George Small tocou Fender Rhodes.
Eric Troyer tocou sintetizador. Andy Newmark tocou bateria. Matthew
Cunningham tocou hammer dulcimer. Atrhur Jenkins tocou percussão.
Michelle Simpson, Cassandra Wooten, Cheryl Mason Jacks e Eric Troyer
fizeram backing vocals. Chegou ao número 10 no Billboard Hot100,
número 30 no Reino Unido, número 3 no Canadá, número 6 na Suíça,
número 12 na Áustria, número 20 na Irlanda, número 45 na
Austrália e número 46 na Alemanha.
A
letra:
People
say I'm crazy Doin' what I'm doin' Well, they give me all kinds
of warnings To save me from ruin
When I say that I'm okay Well, they
look at me kinda strange Surely you're not happy now You no
longer play the game
People say I'm lazy Dreamin' my life
away Well, they give me all kinds of advice Designed to
enlighten me
When I tell them that I'm doin'
fine Watchin' shadows on the wall Don't you miss the big time,
boy? You're no longer on the ball
I'm just sittin' here watchin' the
wheels go round and round I really love to watch them roll No
longer ridin' on the merry-go-round I just had to let it go
People askin' questions Lost in
confusion Well, I tell them there's no problem Only solutions
Well, they shake their heads And
they look at me as if I've lost my mind I tell them there's no
hurry I'm just sittin' here doin' time
I'm just sittin' here watchin' the
wheels go round and round I really love to watch them roll No
longer ridin' on the merry-go-rounds I just had to let it go I
just had to let it go I just had to let it go
Escrita
por Mark Knopfler, foi gravada entre junho e agosto de 1980 e lançada
no disco Making movies, o terceiro da banda. .Foi produzida por Jimmy
Iovine e Mark Knopfler. Mark Knopfler tocou guitarra e cantou. John
Illsley tocou baixo e fez backing vocals. Pick Withers tocou bateria
e fez backing vocals. Roy Bittan tocou teclado.
A
letra:
The
sky is crying, the streets are full of tears Rain come down, wash
away my fears And all this writing on the wall Oh, I can read
between the lines
Rain come down, forgive this dirty
town Rain come down, and give this dirty town A drink of water,
a drink of wine
If I been hard on you, I never chose to
be I never wanted no one else I tried my best to be somebody
you'd be close to Hand in hand like lovers are supposed to
As you'd sleep, I'd think my heart
would break in two I'd kiss your cheek, I'd stop myself from
waking you But in the dark you'd speak my name You'd say, "Baby
what's wrong?"
Oh, here I am baby, I'm coming back for
more I'm like a wave that's got to roll into the shore Yes, and
if my love's in vain, how come my love is so strong?
If I been hard on you, I never chose to
be I never wanted no one else And I tried my best to be
somebody you'd be close to Hand in hand like lovers are supposed
to Supposed to be
Now you and me go parallel together and
apart And you keep your perfect distance and it's tearing at my
heart Did you never feel the distance You never tried to cross
no line
'Cause it's another dirty river and
another dirty scar And I don't know who's kissing you and I don't
know where you are So far from home, don't you think of me some
time
If I been hard on you, I never chose to
be I never wanted no one else I tried my best to be somebody
you'd be close to Hand in hand like lovers are supposed to
Well, sky is crying, see the streets
are full of tears Rain come down, wash away my fears And all
this writing on the wall Oh, I can read between the lines
Escrita
por John Lennon, foi gravada entre agosto e setembro de 1980 e
lançada em 17 de novembro de 1980, no disco Double Fantasy, o quinto
e último disco de Lennon em vida. Foi produzida por John Lennon,
Yoko Ono e Jack Douglas. Fala em renascimento e de Lennon falando dos
seus anos de ausencia da indústria, em que ele se tornou dono de
casa e Yoko tomou conta dos negócios da família. Foi escrita nas
Bermudas, em junho de 1980. O título surgiu após uma conversa com
Jack Douglas no telefone, onde eles falavam que as pessoas estavam se
limpando de drogas e álcool. E falaram it's cleanup time. E ficou.
John cantou e tocou guitarra. Earl Slick e Hugh McCracken tocaram
guitarra solo. Tony Levin tocou baixo. George Small tocou teclado.
Anday Newmark tocou bateria. Arthur Jenkins tocou percussão. Howard
Johnson, Grant Hunderfod, JD Parran, Seldon Powell, George Opalisky,
Roger Rosenberg, David Tofani e Ronald Tooley fizeram os sopros.
A
letra:
Moonlight
on the water, Sun light on my face, You and me together, We
are in our place, The gods are in the heavens, The angels treat
us well, The oracle has spoken, We cast the (perfect)
spell,
Now it begins - let it begin, Cleanup Time, (Show
those mothers how to do it),
The queen is in the counting
home, Counting out the money, The king is in the
kitchen, Making bread and honey, No friends and yet no
enemies, Absolutely free, No rats aboard the magic ship, Of
(perfect) harmony,
Now it begins, Cleanup Time, (Show
those mothers how to do it),
However, far we travel, Wherever
we may roam, The centre of the circle, Will always be our
home,
The gods are in the heavens, The angels treat us
well, The oracle has spoken, We cast the (perfect) spell.
Escrita
por Bono Vox, The Edge, Larry Mullen Jr. e Adam Clayton, foi gravada
entre julho e setembro de 1980 e lançada em 20 de outubro de 1980,
no disco Boy, o primeiro da banda. Foi produzida por Steve
Lillywhite. Fala sobre os tempos infantis e maturidade e perda da
inocencia.
A
letra:
Into
the heart of a child I stay awhile But I can go there
Into the heart of a child I can
smile I can go there
Into the heart Into the heart of a
child I can go back I can stay awhile (Into the heart)
Escrita
por Bruce Springsteen, foi gravada entre março de 1979 e agosto de
1980, no Power Station Studio, em New York City. Foi lançada no
disco The River, o quinto disco de Bruce, em 17 de outubro de 1980.
Foi produzida por Bruce Springsteen, Steven Van Zandt e Jon Landau.
Trata-se de uma canção mais devagar, guiada pelo romantismo
obscuro, com piano, orgão e sax. O narrador perdeu seu amor
verdadeiro. Ele descreve a dor que sente enquanto dirige pela noite
lembrando dela e pedindo pra ela voltar pra ele. Bruc cantou, tocou
guitarra de 6 e 12 cordas, gaita e piano. Roy Bittan tocou piano e
orgao e fez backing vocals. Clarence Clemons tocou sax, percussão e
fez backing vocals. Danny Federici tocou orgao. Garry Tallent tocou
baixo. Steve Van Zandt tocou violão, guitarra, backing vocals e
harmonias vocais. Max Weinberg tocou bateria.
A
letra:
When
I lost you honey Sometimes I think I lost my guts too And I
wish God would send me a word Send me something I'm afraid to lose
Lying in the heat of the night Like
prisoners all our lives And I get shivers down my spine girl And
all I wanna do is hold you tight
Baby, baby, baby I swear I'd drive
all night again just to buy you some shoes And to taste your
tender charms And I just wanna sleep tonight again in your arms Oh
yeah, oh yeah
Tonight there's fallen angels And
they're waiting for us down in the street And tonight there's
calling strangers Hear them crying in defeat Let them go, let
them go, let them go Do their dances of the dead Let 'em go
right ahead girl You just dry your eyes And c'mon, c'mon,
c'mon, c'mon, let's go to bed
Baby, baby, baby I swear I'd drive
all night again just to buy you some shoes And to taste your
tender charms And I just wanna sleep tonight again in your arms Oh
yeah, oh yeah
There's machines and there's fire Baby
waiting on the edge of town They're out there for hire But baby
they can't hurt us now Cause you've got You've got, you've got
my My love girl You've got my love girl
Through the wind, through the rain The
snow, the wind, the rain You've got, you've got my my love Oh
girl you've got my love You've got, you've got my love Oh girl
you've got my love You've got, you've got my love Oh girl
you've got my love You've got, you've got my love Oh girl
you've got my love
Heart and soul Heart and soul Heart
and soul Heart
Don't worry darlin', tonight And
don't cry now Baby, don't cry now Oh don't cry now Oh don't
cry now Just dry your eyes, little baby Hey, dry your
eyes Baby, I'd drive all night I swear I'd drive all night
Through the wind, through the
rain Through the snow, through the rain Through the wind,
through the snow, through the rain I swear I'd drive all night I
swear I'll drive all night Through the wind, through the
rain Through the snow, through the rain Through the wind,
through the rain
Escrita
por Bob Seger, foi gravada em 1979 no Criteria Studios em Miami, e
lançada em 25 de fevereiro de 1980 no disco Against the wind, o
décimo primeiro disco de Bob. Sairia também em compacto em julho de
1980, com Betty Lou's gettin' out tonight como Lado B. Foi produzida
por Punch Andrews e Bob Seger. Chegou ao número 14 no Billboard
Hot100 e número 8 no Canadá. Bob Seger cantou e tocou violão. Chis
Campbell tocou baixo. David Teegarden tocou bateria. Sam Clayton
tocou percussão. Bill Payne tocou orgão, piano e sintetizador.
Ginger Blake, Laura Creamer e Linda Dillard fizeram backing vocals.
A
letra:
A
gypsy wind is blowin' warm tonight The sky is starlit and the time
is right And still you're tellin' me you have to go Before you
leave, there's something you should know Yeah, somethin' you
should know babe
I've seen you smiling in the summer
sun I've seen your long hair flyin' when you run I've rnade my
mind up that it's meant to be Someday lady, you'll accomp'ny me
Someday lady, you'll accomp'ny me Out
where the rivers meet the sound and sea You're high above me now,
you're wild and free, ah but Someday lady, you'll accomp'ny
me Someday lady, you'll accomp'ny me, yeah
Some people say that love's a losin'
game You start with fire, but you lose the flame The ashes
smolder, but the warmth's soon gone You end up cold, and lonely on
your own
I'll take my chances, babe I'll risk it
all I'll win your love or I'll take the fall I've made my mind
up girl, it's meant to be Someday lady, you'll accomp'ny me
Someday lady, you'll accomp'ny me It's
written down somewhere, it's got to be You're high above me flyin'
wild and free Oh but someday lady, you'll accomp'ny me Someday
lady, you'll accomp'ny me
Someday lady, you'll accomp'ny me Out
where the rivers meet the sound and sea I feel it in my soul, it's
meant to be Oh someday lady, you'll accomp'ny me Someday lady,
you'll accomp'ny me
You will accomp'ny me (Ooh-who)
yeah (Ooh-who, you'll accomp'ny me) I know you will accomp'ny
me now, ah (Ooh-who, you'll accomp'ny me) Someday lady
(Ooh-who) Ah, someday lady (Ooh-who you'll accomp'ny me) Your
gonna accomp'ny me now Your gonna walk with me an' talk with me,
yeah (Ooh-who, ooh-who you'll accomp'ny me, ooh-who) Yeah
(Ooh-who), oh Gonna accomp'ny me (Ooh-who) Gonna accomp'ny me,
yeah (You'll accomp'ny me) Someday (Ooh-who)
