quinta-feira, 31 de janeiro de 2019

857 – David Bowie – Space oddity (1969)

Escrita por David Bowie, foi gravada em 20 de junho de 1969 e lançada em 11 de julho de 1969 em um compacto que tinha Wild eyed bou from freecloud como Lado B. É uma das 500 canções que deram forma ao rock and roll do The Rock and Roll Hall of Fame.

Foi inspirada pelo filme 2001 uma odisséia no esaço, de Stanley Kubrick, de 1968, a canção fala do lançamento ao espaço do Major Tom, um astronauta fictício e foi lançada num período de grande interesse no espaço. A Apollo 11 seria lançada em 5 dias depois que lançaram a música.

Rick Wakeman tocou mellotron, Mick Wayne tocou guitarra, Herbie Flowers tocou baixo, Terry cox tocou bateria, Toni Visconti tocou flauta e David Bowie tocou violão e fez os vocais principais e os backing vocals. Chegou ao número 5 nos charts britânicos. VH1 disse que ela era a número 60 das 100 maiores canções de rock. NME disse que ela era a númeo 26 dos maiores números 1 da história.

Foi regravada pelo Duran Duran e Def Leppard, entre outros muitos artistas.

A letra:

Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills
and put your helmet on

Ground Control to Major Tom
Commencing countdown,
engines on
Check ignition
and may God's love be with you

[spoken]
Ten, Nine, Eight, Seven, Six, Five, Four, Three, Two, One, Liftoff

This is Ground Control
to Major Tom
You've really made the grade
And the papers want to know whose shirts you wear
Now it's time to leave the capsule
if you dare

This is Major Tom to Ground Control
I'm stepping through the door
And I'm floating
in a most peculiar way
And the stars look very different today

For here
Am I sitting in a tin can
Far above the world
Planet Earth is blue
And there's nothing I can do

Though I'm past
one hundred thousand miles
I'm feeling very still
And I think my spaceship knows which way to go
Tell my wife I love her very much
she knows

Ground Control to Major Tom
Your circuit's dead,
there's something wrong
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you....

Here am I floating
round my tin can
Far above the Moon
Planet Earth is blue
And there's nothing I can do.

A versão de David Bowie:


A versão de Mike Masse e Jeff Hall:


A versão do astronauta Chris Hadfield:

segunda-feira, 28 de janeiro de 2019

856 – The Who – We're not gonna take it (1969)

Escrita por Pete Townshend, foi lançada em 5 de julho de 1969 em um compacto que tinha I'm free como Lado A. É a última canção do rock opera Tommy.

Roger Daultrey cantou, Pete Townshend fez backing vocals, tocou guitarra elétrica e teclados, John Entwistle tocou baixo e Keith Moon bateria.

A letra:

Welcome to the Camp
I guess you all know why we're here
My name is Tommy
And I became aware this year

If you want to follow me
You've got to play pinball
And put in your earplugs
Put on your eye shades
You know where to put the cork

Hey you getting drunk, so sorry!
I've got you sussed
Hey you smoking Mother Nature!
This is a bust!
Hey hung up old Mr. Normal
Don't try to gain my trust!
'Cause you ain't gonna follow me any of those ways
Although you think you must

We're not gonna take it
We're not gonna take it
We're not gonna take it
We're not gonna take it

We're not gonna take it
Never did and never will
We're not gonna take it
Gonna break it, gonna shake it
Let's forget it better still

Now you can't hear me
Your ears are truly sealed
You can't speak either
Your mouth is filled
You can't see nothing
And pinball completes the scene
Here comes Uncle Ernie to guide you to
Your very own machine

We're not gonna take it
We're not gonna take it
We're not gonna take it
We're not gonna take it

We're not gonna take it
Never did and never will
Don't want no religion
And as far as we can tell
We ain't gonna take you
Never did and never will
We're not gonna take you
We forsake you
Gonna rape you
Let's forget you better still

We forsake you
Gonna rape you
Let's forget you better still

See me
Feel me
Touch me
Heal me

See me
Feel me
Touch me
Heal me

See me
Feel me
Touch me
Heal me

See me
Feel me
Touch me
Heal me

Listening to you
I get the music
Gazing at you
I get the heat
Following you
I climb the mountains
I get excitement at your feet

Right behind you
I see the millions
On you
I see the glory
From you
I get opinions
From you
I get the story

Listening to you
I get the music
Gazing at you
I get the heat
Following you
I climb the mountains
I get excitement at your feet

Right behind you
I see the millions
On you
I see the glory
From you
I get opinions
From you
I get the story

Listening to you
I get the music
Gazing at you
I get the heat
Following you
I climb the mountains
I get excitement at your feet

Right behind you
I see the millions
On you
I see the glory

A versão do The Who:

sábado, 26 de janeiro de 2019

855 – The Beatles – Hey, bulldog! (1969)

Escrita por John Lennon mas creditada à dupla Lennon/McCartney, foi gravada em 11 de fevereiro de 1968 e lançada em 13 de janeiro de 1969 no disco Yellow Submarine. A exemplo de Lady Madonna, é uma das poucas músicas dos Beatles baseadas num riff de piano.

Foi uma das últimas gravações com a dinâmica de equipe dos Beatles. Depois disso já veio o Album Branco onde cada um gravou sua música praticamente. A linha de baixo que Paul criou foi uma das melhores que ele já fez. Também o solo de George Harrison, ele matou logo de cara.

Tanto John quanto Paul gostam muito dessa música.

John cantou, tocou piano, guitarra ritmica e falou. Paul fez backing vocal, tocou baixo, pandeiro, latiu e falou. George Harrison tocou guitarra solo. Ringo tocou bateria e falou.

Foi regravada por Alice Cooper, Elvis Costello, Cyndi Lauper, Dave Matthews, Manfred Mann, Dave Grohl com Jeff Lynne, entre outros artistas.

A letra:

Sheepdog, standing in the rain
Bullfrog, doing it again
Some kind of happiness is
Measured out in miles
What makes you think you're
Something special when you smile
Childlike no one understands
Jackknife in your sweaty hands
Some kind of innocence is
Measured out in years
You don't know what it's like
To listen to your fears
You can talk to me
You can talk to me
You can talk to me
If you're lonely, you can talk to me
Big man (yeah) walking in the park
Wigwam frightened of the dark
Some kind of solitude is
Measured out in you
You think you know me, but you haven't got a clue
You can talk to me
You can talk to me
You can talk to me
If you're lonely, you can talk to me
Hey hey
Roar
Hey, bulldog (hey bulldog)
Woof
Hey, bulldog
Hey, bulldog
Hey, bulldog
Hey man
Whats up brother?
Roof
What do ya say
I say, roof
You know any more?
Ah ah (you got it, that's it, you had it)
That's it man, wo ho, that's it, you got it
Woah
Look at me man, I only had ten children
Ah ah ah ah ah ah ha ha ha ha
Quiet, quiet (ok)
Quiet
Hey, bulldog, hey bulldog

A versão dos Beatles:


A versão de David Grohl com Jeff Lynne:


A versão de Miles Kane:


quarta-feira, 23 de janeiro de 2019

854 – Crosby, Stills and Nash – Lady of the island (1969)

Escrita por Grham Nash, foi gravada em 11 de fevereiro de 1969 e lançada em 1969 no disco Crosby, Stills and Nash. Foi feita pra Joni Mitchell, que Nash estava envolvido na época.

O curioso é que Guinnevere, que já falamos aqui, também foi feita pra Joni Mitchell por David Crosby, que também estava envolvido com ela. Era o tempo do amor livre.

Graham Nash cantou e tocou violão. David Crosby fez backing vocals.

A letra:

Holding you close undisturbed before a fire
The pressure in my chest when you breathe in my ear
We both knew this would happen when you first appeared
My lady of the island
The brownness of your body in the fire glow
Except the places where the sun refused to go
Our bodies were a perfect fit in afterglow we lay
My lady of the island
Letting myself wander through the world inside your eyes
You know I'd like to stay here until every tear runs dry
Do, do, do, do, do, do, do
My lady of the island
Wrapped around each other in the peeping sun
Beams of sunshine light the stage the red light's on
I never want to finish what I've just begun with you
My lady of the island
Do, do, do, do, do, do, do, do

A versão de Crosby, Stills and Nash:


A versão de Ida Vermehren:


A versão de Sanford Markley:

terça-feira, 22 de janeiro de 2019

0050 – Badge - Cream (1969)

Compositor: Eric Clapton e George Harrison

  • Foi gravada em outubro de 1968, no IBC, em Londres, e foi lançada em 15 de fevereiro de 1969 no disco Goodbye.

  • Eric Clapton tocou guitarra e cantou. Jack Bruce tocou baixo. Ginger Baker tocou bateria. George Harrison tocou guitarra base e Felix Pappalardi tocou piano e Mellotron.

  • Foi também número 1 na Nova Zelandia, África do Sul e Irlanda.

A letra:

I'm thinking bout the times you drove in my car
I'm thinking that I might have drove you too far
And I'm thinking 'bout the love that you laid on my table


I told you not to wander 'round in the dark
I told you 'bout the swans, that they live in the park
Then I told you 'bout our kid, now he's married to Mabel


Well, I told you that the light goes up and down
Do you notice how the wheels go 'round?
And you better pick yourself up from the ground
Before they bring the curtain down
Yes, before they bring the curtain down


I'm talking 'bout a girl that looks quite like you
She didn't have the time to wait in the queue
She cried away her life since she fell off the cradle



A versão do Cream ao vivo em 2005:


A versão de Robben Ford:


A versão de David Stanyer:

segunda-feira, 21 de janeiro de 2019

852 – The Band – Up on Cripple Creek (1969)

Escrita por Robbie Robertson, foi gravada em 1969 e lançada em 29 de novembro de 1969 no compacto que tinha The night they drove old Dixie down como Lado A. Chegou ao número 25 nos charts pop americanos e número 10 nos charts canadenses. Leon Helm cantou.

Nessa música foi uma das primeiras vezes que o Clavinet Hohner foi tocado com pedal de Wah-Wah. Esse som se tornou famoso em meados dos anos 70, especialmente na música funk.

A canção é um motorista de caminhão que vai ao Lake Charles, Louisiana, para encontrar sua namorada que é de lá. Bessie. Lá ele joga, bebe, escuta música e fica com Bessie. Mas tem que voltar pra esposa, porém quer voltar pra ver Bessie again.

Levon Helm cantou e tocou bateria. Rick Danko tocou baixo e fez backing vocals. Garth Hudson tocou o clavinet com pedal wah-ah e orgão. Richard Manuel tocou piano e fez backing vocals. Robbie Robertson tocou guitarra elétrica.

A letra:

When I get off of this mountain, you know where I want to go?
Straight down the Mississippi river, to the Gulf of Mexico
To Lake Charles, Louisiana, little Bessie, girl that I once knew
She told me just to come on by, if there's anything she could do

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don't have to speak, she defends me
A drunkard's dream if I ever did see one

Good luck had just stung me, to the race track I did go
She bet on one horse to win and I bet on another to show
The odds were in my favor, I had 'em five to one
When that nag to win came around the track, sure enough she had won

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don't have to speak, she defends me
A drunkard's dream if I ever did see one

I took up all of my winnings, and I gave my little Bessie half
She tore it up and threw it in my face, just for a laugh
Now there's one thing in the whole wide world, I sure would like to see
That's when that little love of mine, dips her doughnut in my tea

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don't have to speak, she defends me
A drunkard's dream if I ever did see one

Now me and my mate were back at the shack, we had Spike Jones on the box
She said, "I can't take the way he sings, but I love to hear him talk"
Now that just gave my heart a throb, to the bottom of my feet
And I swore as I took another pull, my Bessie can't be beat

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don't have to speak, she defends me
A drunkard's dream if I ever did see one

Now there's a flood out in California and up north it's freezing cold
And this living on the road is getting pretty old
So I guess I'll call up my big mama, tell her I'll be rolling in
But you know, deep down, I'm kind of tempted to go and see my Bessie again

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don't have to speak, she defends me
A drunkard's dream if I ever did see one

A versão da Band:


A versão de Winston Ramble:


A versão de The Band Cover:


domingo, 20 de janeiro de 2019

851 – Leonard Cohen – Tonight will be fine (1969)

Escrita por Leonard Cohen, foi gravada em outubro de 1968 e lançada em 7 de abril de 1969 no disco Songs from a room, o segundo da carreira de Cohen.

Leonard Cohen cantou e tocou violão clássico. Ron Cornelius tocou violão e guitarra. Bubba Fowler tocou baixo, banjo, violino e violão. Charlie Daniels tocou baixo, violão e violino.

A letra:

Sometimes I find I get to thinking of the past.
We swore to each other then that our love would surely last.
You kept right on loving, I went on a fast,
Now I am too thin and your love is too vast.
But I know from your eyes
And I know from your smile
That tonight will be fine,
Will be fine, will be fine, will be fine
For a while.
I choose the rooms that I live in with care,
The windows are small and the walls almost bare,
There's only one bed and there's only one prayer;
I listen all night for your step on the stair.
But I know from your eyes
And I know from your smile
That tonight will be fine,
Will be fine, will be fine, will be fine
For a while.
Oh sometimes I see her undressing for me,
She's the soft naked lady love meant her to be
And she's moving her body so brave and so free.
If I've got to remember that's a fine memory.
And I know from her eyes
And I know from her smile
That tonight will be fine,
Will be fine, will be fine, will be fine
For a while.

A versão de Leonard Cohen:


A versão de Teddy Thompson:


A versão de Shellee Coley e Mason Lankford:

2064 – AC/DC – You shook me all night long (1980)

Escrita por Angus Young, Malcolm Young e Brian Johnson, foi gravada entre abril e maio de 1980 e lan çada no compacto que tinha Have a ...